But here is the single greatest thing about the 'Vanity Fair' party: There are uniformed In-N-Out Burger employees circulating the room with trays of cheeseburgers all night long.
The main thing people took from 'Night of the Living Dead' was that it was a racial statement movie, and that was completely unintended.
And one by one the nights between our separated cities are joined to the night that unites us.
Bottom 10 Percent progressives are not enthusiastic about concentrations of wealth. But that's not what keeps them up at night. Their focus is on deprivation and lack of opportunity. They're motivated by empathy for people who are suffering, rather than outrage over unjustified wealth.
I thought, 'Oh, I'll be an independent producer. Oh, I'll be a manager.' I was going through all those things in my head, and one night, late at night, I was having what I would now describe as probably a panic attack because there were so many unknowns. An almost literal voice came into my head telling me, 'You need to write.'
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
Some nights I lie awake at night thinking, 'What's going to stop someone from smashing a chair through my window and coming in the house at two in the morning?' It is very unnerving. It's a realistic scare, which is the worst kind of scare that you could have.
In bed at night, I could be reading some book, and I'll come across a sentence that's totally unrelated to some scene I did years ago. But I'll play the scene back in my mind and think, I did that wrong - I should've opened the door more slowly.
I saw someone lose $100 million in one night. When you watch that, as an owner-operator of a game, you realize that these numbers are incredibly unsustainable, incredibly unhealthy. So, I was not happy about this loss. It brought me no joy or adrenaline.
Stand-up comedy is the most relaxing thing I do. If I want to unwind and de-stress, I go out and do stand-up, often several shows in a night.
It's all about the crowd and what type of event I am DJing. If it's a corporate party, I keep things upbeat but light. For late night events, I really turn it up with dance songs and trap hits.
I love meat and vegetables. If I did a diet, I would do Paleo, except they have no cheese, which is very upsetting. I'm going to start my own Chrissy diet that's like Paleo plus cheese. Plus late Saturday night drive-through.
Obviously I'm fast, and I'm going to have to utilize that speed, but I'm also going to have to be smart. I'm also strong, and I have a punch, so I'm going to have to use all my qualities to be able to fight against Angulo, and I just feel whoever's the best prepared that night is going to win.
Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity.
There's variables at every single gig. I look forward to those every night. We have a lot of things that happen in our show, a lot of people from the outside watching the show might think it's one schtick after the next. We promised ourselves we have to be there mentally. We have to be aware. We are forced to be aware.
When doing theater, you have to find great satisfaction in the small things. There's going to be a repetition and a redundancy night after night, but it's the small variations in those moments - a word, a tone of voice, the smallest sense of enlightenment that can happen in an instant onstage - that will be the most rewarding.
When you get a full night's sleep, which can vary from 7 to 9 hours for different individuals, it's been proven that all aspects of performance increase.
Who among us has never looked up into the heavens on a starlit night, lost in wonder at the vastness of space and the beauty of the stars?
The building I most admire is the Doges Palace in Venice, both by day and by night. Looking at it from the lagoon, it resembles a floating kilim carpet. I love all the bridges which connect houses, people, gardens and palaces. I also love moats to isolate yourself. A ha-ha for secrecy, as in every English country garden.
I tried so hard with movies like Vertigo and Middle of the Night and others. I felt those would show me that it's only a matter of time before I'd find the right one to reach out and touch people.
