It's funny: when people always talk about the importance of role models, I used to think that was so exaggerated, but as I get older, I start to realize I don't feel that way so much anymore. If you see somebody like you who's doing something, an older version of what you are, it does make you feel like it's more possible.
I don't think I'm an intentional liar, but I'm a little bit of an exaggerator sometimes. If I'm exaggerating, and the journalist exaggerates on top of that, then we end up in funny territory.
Comics write to their point of view. If you're an exceedingly irreverent comedian, you've got to see where that point of view fits or produces the most funny.
We could talk, act, and dress funny. We were excused for socially inappropriate behavior: 'Oh, he's a programmer'. It was all because we knew this technology stuff that other people found completely mystifying.
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
If an executive producer has written a certain line, and an actress says it, and it's not very funny, you don't dare go to them and say, 'I don't like this,' because it will make your life miserable.
I never expected to see the day when girls would get sunburned in the places they now do.
I still remember the first gig where I got people going, it was Rascals in New Jersey, and the place was packed. I was scared. People were expecting me to be funny. I gotta be honest, every time I walk into a club, it's that same fear.
I love fools' experiments. I am always making them.
Expert: a man who makes three correct guesses consecutively.
I don't feel that I'm explaining the world or teaching people anything. And I'm not trying to be a mirror, showing them what's really going on the world. All I'm trying to do is think of stuff that's funny, just like when I'm kidding around with my friends.
It's a funny show. The characters are surprisingly likable, given how ugly they are. We've got this huge cast of characters that we can move around. And over the last few seasons, we've explored some of the secondary characters' personal lives a bit more.
The anger that Uncle Junior has comes from my background. My father was the son of an Italian immigrant, and I've seen the fire of the Italian temperament. It can be explosive sometimes in ways that are both funny and tragic.
Novels are not about expressing yourself, they're about something beautiful, funny, clever and organic. Self-expression? Go and ring a bell in a yard if you want to express yourself.
I like the hot-cold, the sugar-salt, being able to play over-the-top and dramatic things - in the same film. Just as in my life, I can be very funny and at other times almost extinguished.
I find it very easy playing Bond. I think he's hilarious. He gets himself into some extraordinarily funny situations.
Most visions of extraterrestrial life are actually steeped in human hubris. The fictional extraterrestrials of 'Star Trek' or a hundred other space operas are less alien than many of my neighbors. And funny, the ones running the place are mostly WASPish men.
By nature, my default place is a very introverted one, so it's funny to be in such an extroverted profession. I'm a little inappropriately in it.
Relaxing at home in his 55th-floor condominium before a game, Sammy Sosa is the same as at the ball park: focused but funny, exuberant but reserved. He is in a strange country, conversing in two languages, but his every movement displays a combination of confidence and humility.
Eyebrows are really important because they structure the face. In school it was funny because I was always the one walking around with tweezers plucking my girlfriends' eyebrows. I was really good; eyebrow tweezing runs in my family - my mother used to do mine, and I picked it up.
