Cage Warriors is a brilliant organisation. They're doing great things for European MMA, and they're giving the platform for guys like me who came through. They're vital. I'm forever grateful for the opportunities I got.
When I'm menu-developing at Milk Bar, I'll go for weeks at a time where all I'm doing is testing out layer cakes or different cookies and testing out changes.
My parents met during their time at Cal Berkeley while they were both on the gymnastics team. Due to their intense gymnastics background, I started doing 'Mommy and Me' classes when I was 2 years old.
To say that AI will start doing what it wants for its own purposes is like saying a calculator will start making its own calculations.
I'm so used to doing stuff, as you can imagine, fast and on the go, and just calming down, being patient for me is something I have yet to get used to.
My whole life has changed so much, and it's still constantly changing, but 'Moonlight' brought about a bunch of opportunities that were really surreal, from the Oscars and Golden Globes to the notoriety that it brought, to even doing things like working with Calvin Klein.
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
When Bruce Lee gets his cameo in 'The Green Hornet' - as one of the drawings in Kato's notebook - it clarifies what the film is: an unrealized sketch. A sketch can afford to allude to a point of view. Moviemakers need to show their point of view, something this shrug of a movie never gets around to doing.
I couldn't have left my career as an actor on a better note than to have done a cameo in the Lost In Space movie. Doing this part is the highlight of my career. What a way to leave the profession!
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I was doing well in TV as a freelance cameraman, but it wasn't the direction I wanted to go in. I directed videos and tried to put something cinematic in every one. Dialogue, action sequences, helicopter, Steadicam.
When I first started campaigning, I was really excited. Two-thirds of the way through, I thought, 'Why am I doing this?' Then I got really excited when I realized I was going to win.
Herr Schroder has conducted two electoral campaigns, and he is doing it again now, by not telling people what is really necessary. He keeps avoiding the difficult and uncomfortable issues, those that imply changes and therefore provoke discussions.
I'm a happy camper because by doing this I have an opportunity to be on the cutting edge of research.
I don't get too much enjoyment out of sitting around the campfire and looking at old photos. That's just not me. I don't get the thrill of doing that. So, I don't sit around listening to my old records.
What happened was, in my final year of university in Australia, there was a campus comedy competition, and I felt like it was something I could do. I won that competition, and I kept doing it, and I couldn't get a job in law. So I just kept doing comedy.
My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
I love how me deciding to not continue doing 'LA Ink' turns into being 'cancelled.'
I was doing 'Twin Peaks,' and Columbia called and said they wanted me to do 'Gladiator.' I thought it had the potential to be a real commercial film, so I was like a kid in a candy store.
A legend is an old man with a cane known for what he used to do. I'm still doing it.
