I've never been one for doing remixes. Then I've gotta decide which version am I gonna be tonight: country Carrie or pop Carrie? I'd rather just make country music that anybody can get into no matter what they listen to.
The first time I ever saw snow skis was when I was 62 years old and that was 19 years ago and I'm still skiing. So, we'll be skiing with some very close friends of the Carter Center letting them know what the Carter Center is doing around the world. We have programs in over 65 countries.
Something happened in 1997 that changed the whole industry, at least for the next five, six, or seven years. It wasn't about the 24-inch arms and the cartoon characters anymore. It was about the wrestling and what we were doing in the ring physically.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I was doing illustration work, and the cartooning slowly took over.
We need people who are open to doing something with theme, something with a cartoonish twist.
Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.
We're doing Circle of Snakes, we open up with Skin Carver and we are throwing in Skull Forest later on.
Hillary Clinton has perfected the politics of personal profit and theft. She ran the State Department like her own personal hedge fund - doing favors for oppressive regimes, and many others, in exchange for cash.
I would love to do a talk show. Naturally, I would love to do more films. I'd love to be able to see casting directors more willing to put in a character who happens to be deaf. I'm not talking about doing deaf storylines, but putting in deaf characters. I'd love to be able to do Broadway.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
The price of toppling Gadhafi will be steep. But Libyans will topple him, and in doing so, they will bring down with him the castles of fear our dictators thought they had fortified.
I've been doing comedy longer than I haven't been doing comedy, as I was performing for three years before I even got on 'The Tonight Show.' There's truly nothing like it; it's intense and exhilarating, even though it looks so casual.
Working with Woody Allen was extremely gratifying. He has such a vast catalog of great work that doing one of his films was somewhat unreal.
I was very outgoing, and a good-looking kid. I started doing all the catalogs. I made 60 commercials by the time I was 6. I must have been a natural, because I never took an acting lesson.
I was sent the script for 'Silver Linings' when I was doing a play in D.C. at The Kennedy Center with Cate Blanchett and I was sent the script and asked if I was interested, and I said 'Oh, boy am I!'
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
Catfish is not playing guitar no more, he's doing like a home-front thing. He had been in the business around ten years before I got in it, so I guess he's had enough of it.
There's something about doing stand-up that's cathartic.
Maybe I'll start a little group of us that's called the Don't Do Stupid Stuff caucus. I'm going to be in the D.D.S.S. caucus. I'm going to lead it. There's no reason for us to be doing stupid things that are not getting us anywhere.
