Sane is boring.
That's the whole point of writing to me - I put my characters under incredible duress, and from that comes their truth. In a way, I'm using them to try to find my own answers in life.
This little hobbit saves the world. The wizard kills the dragon and saves the town. So many people connect to that character; it doesn't matter if it's an elf or a hobbit or a dwarf. It doesn't matter. They're human in their heart and soul.
Fantasy is like an idealized reality, and the core of fantasy is the one person can make a difference.
I never intended to be a professional writer; as the story developed, the one thing I had in my hopes was that this would be something tangible to separate me from the nameless, numbered masses.
So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.
I'm trying to make all the characters change and grow, or regress.