You have to have your own internal barometer of what is too far. I try and consider feelings of people in the audience. What you have to try and do is that when there is something that could be seen as a transgression, you actually have a reason to justify the joke.
Brexit is a ceaseless grind of conversations about customs unions and backstops. Anything that can add an air of whimsical, childlike wonder to proceedings can only be a good thing.
All comedy shows make me feel better about everything.
In the event of a Mad Max-style post-apocalyptic dystopia, people with supplies of food and water could become warlords or chieftains in the social order that emerges out of the rubble.
Having spent half my time at university studying English literature, I know from experience that reading lists often contain more white men than Jacob Rees-Mogg’s last birthday party.
I grew up in the South London outer areas of Bromley and Croydon. Bromley and Croydon are interchangeable punch lines to any joke somebody wants to make about a shit part of England.
I'm quite good at Lego and Fifa, but they don't translate in the real world.
We’ve all been there - you find something moving, you commission a painting. I know one wall of my living room is taken up by a mural of the end of Toy Story 3.
I’ve still got a bit of angst about campaigning for a particular party. I want to write jokes about whoever I want without toeing a party line.
I got out of university and there was a general panic throughout my family as to what I was going to do. For about six months, I did this job in recruitment and I was just so awful at it. I jumped before I was pushed.
And I can tell you from firsthand experience that our train system is a mess. Carriages are full of unhappy travellers packed together like sardines, who have inexplicably paid for the privilege of being incarcerated.
Viola Davis is just one of those actors who is never bad in anything. She could be in an awful film but you’d never come away from it saying she was bad.
