My mom is a very strong woman, very tough lady.
I am a strong woman with or without this other person, with or without this job, and with or without these tight pants.
I think God made a woman to be strong and not to be trampled under the feet of men. I've always felt this way because my mother was a very strong woman, without a husband.
Being a strong woman is very important to me. But doing it all on my own is not.
I'm a very strong woman.
I think it's important to be that strong woman and to follow your passions regardless of what your situation is.
People make me out to be this super strong woman, but I have my tough days just like anyone else.
I'm one of those guys who believes that you need a strong woman in your life.
Let's be clear, I'm a strong woman.
Olga E. Kagan was the strongest woman I knew - and probably the reason I've spent my life with other strong women.
There are no 'strong women.' And men, don't say, 'Real men don't try to bully women.' If a woman attacks you, you fight back.
My mom is such a strong, independent, strong-willed woman, and she always taught me to accept my worth for how I viewed myself and female empowerment, and it's okay to be independent and also need someone at the same time. I kinda get to be both.
Huge studio movies are handed over to a man with less experience before they're handed over to a woman with less experience. That's a fact. But I think it's not just about men not hiring women: it's about women not hiring women, too.
When I walked in on 'Drag Race' and saw Katya, I had no idea she was gonna be funny, because she was stunning. She had this perfect red lip, I remember looking into her eyes and being like, 'This is a woman!' Then she was really funny. She kind of presents normal, and it's a one-two punch with the comedy.
I approach styling as if I were a woman and what I would want to wear to a certain event.
Ngila Dixon is such an incredible costume designer. She's such a cool, stylish woman. She has such an understanding of character.
My plays aren't stylistically the same. Just being an African-American woman playwright on Broadway is experimental.
It is not Christianity, but priestcraft that has subjected woman as we find her.
We're coming into a new generation of women where there's the submissive woman, and then our reaction to it is, 'No, I'm a man, too, and I'm masculine,' and then we fight against it, which isn't the answer, either.
Behind every successful man is a woman, behind her is his wife.
