I think about architecture all the time. That's the problem. But I've always been like that. I dream it sometimes.
We all dream a lot - some are lucky, some are not. But if you think it, want it, dream it, then it's real. You are what you feel.
Music is for dreamers, I think.
I used to think as I looked out on the Hollywood night, 'There must be thousands of girls sitting alone like me dreaming of being a movie star.' But I'm not going to worry about them. I'm dreaming the hardest.
I think it's important to move people beyond just dreaming into doing. They have to be able to see that you are just like them, and you made it.
I think a lot of stuff I find funny is from day dreaming.
Always I was dreaming of a record contract. From 10 to 13, it was all I could think of. I worked hard for this dream. Nobody could say I didn't try.
In the fact that 'Vogue' is someone that can help guide enormous audiences through this fascinating world, I would like to think we are as influential and actually are now reaching so many more people than we ever dreamt of back in the Fifties or the Sixties.
I don't think that Dreamworks would have signed me expecting to really mess around with whatever it is I do.
I'm not as successful as Pixar or Dreamworks, and that is disappointing to me, because I think my films are as valid as a Pixar film. I think there's an audience for my films. I know there's a market for someone like Quentin Tarantino, who basically does adult cartoons in live action.
Even in the Pixar and DreamWorks animated movies, there are themes that could be taken into an adult area very easily. 'Zootopia,' I think, is the closest so far; I love that movie because they really did push the envelope as far as the ideas and writing of an animated film for families.
If you have notoriety, you can dress any way you want to dress. That's the way it is. I just like to get dressed up. I think that they go hand in hand - notoriety and people lookin at ya. If they look at ya, either you look like a million dollars, or you don't. A guy can have a phenomenal body, but if the suit doesn't fit him, forget it.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
I've always wanted to get into acting, ever since I was younger. I'd put on shows for my family and run around play dress-up all the time. I think I was 4 when I told them I wanted to do movies.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
I don't get up, get dressed, go out, and think, 'Okay, I gotta find eight jokes.'
I'm not someone that wants to control everything. I like to work with people that bring their talents to the project. So I like it when the makeup artist has a chance to do their work, when the dresser does their work, when the director does their work. They all come with stories and ideas to think about.
As a kid, I think I wanted to be the on-set dresser for 'Charlie's Angels'. My goals weren't lofty. No. I just wanted to someday quit my paper round and that was about it.
My dresses are designed to win, so going through it, I think about, what do I want to represent? So, definitely, Vera Wang has been an inspiration for me.
I think every young girl at some point in her early life wonders what it's like to be a princess. They like the idea of dressing up and the fun of it.
