My humor is channeling everything through my brain. For example, when I talk about something, it's how Richard Lewis feels about it. I'm a storyteller. I do a lot of free association.
All I know is it was incredible watching Robert Downey Jr. bring Chaplin to life. Talk about weight-lifting!
In Germany, they have great difficulty with anything that smacks of cultism or messianic leadership. You can't talk about leadership in its charismatic forms.
The chasm between rich and poor is becoming larger, and I think it's interesting terrain to talk about and expose.
I love Obama to talk about Chrysler. It's the cheapest bloody advertising I can get.
I'm a postmodern commentator, and so, in a cheeky parallel to James Joyce or James Kelman, I get to places, verbally, that are a little unusual - when I talk about Jocky Wilson and end up sounding like a Jackson Pollock of the commentary box.
I fly around with chicks on each arm and have no script. I just talk about what I feel like. But that's why my act works: I'm like this normal guy.
I am really close to the Chinese government. And I have a chance to talk to them, listen to them.
When you're talking about villainy, then you're automatically circling around to talk about justice.
Civil disobedience is not accepted by religion and the state does not accept it and there are many verses in the Holy Book that talk of following the ruler.
I talk a lot about justice. I'm about it. I'm also about civil disobedience.
If one could only teach the English how to talk, and the Irish how to listen, society here would be quite civilized.
I think we should talk about what the objectives of the party are, whether that's restoring the Clause Four as it was originally written or it's a different one, but I think we shouldn't shy away from public participation, public investment in industry, and public control of the railways.
A person's body changing is simply not clearance for you to talk about it.
People in England talk about stupid Hollywood idiots, but the industry attracts some of the cleverest people in the world.
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
When the tech geeks talk, I pay close attention.
Max Minghella is a very close friend of mine, and I talk to him regularly.
'This guy's a clown! He's just all talk!' I've heard that many times in my career. And then they're sleeping in the middle of the octagon.
It's one thing to talk the talk; it's another thing to walk after getting whacked with a coconut.
