But I can't imagine Harry being a stockbroker at 35. That doesn't really seem the stuff of 'Harry Potter'.
Even though you picture Russians as stoic, their language is really poetic.
I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.
I would really have liked to have gone to Broadway with 'A Streetcar Named Desire.' I was proud of that.
Actors don't really get into their stride until they're in their late 30s and 40s.
I used to stutter really badly. Everybody thinks it's funny. And it's not funny. It's not.
I don't really want to make a stylized film or anything too surreal.
The acting of the '50s is really stylized, so you're not really getting a lot of authentic, everyday characterization of people.
Comedy's really subjective, you know.
Shakespeare doesn't really write subtext, you play the subtext.
Some music really does suck!
I was starting to feel really suffocated, using the sequencer.
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
By nature, I really am a fairly bouncy and sunny individual.
I don't really think that very much is interesting about the superhero as an archetype.
I don't really see myself as a big supermodel.
I haven't been really superstitious once I left baseball, actually.
I don't really do a big Saturday supper. I prefer entertaining in the daytime.
I actually have a movie that I was a supporting role in that I'm really proud of called 'Sun Dogs.'
A lot of Knxwledge's instrumentals just brought out this tone and swagger that I had played with before but had never really pinpointed before on my Anderson .Paak stuff. But then it just came so easily.