Quotes Tagged "poetry"

Critics write out of intellectual exercise, not poets. Poets write straight from the heart.

Will be but corpses dressed in frocks, who cannot speak to birds or rocks.

[Fiction and poetry] are medicines, they're doses, and they heal the rupture that reality makes on the imagination.

I love being able to see an un-written future.

Tom Dancer’s gift of a whitebark pine cone You never know What opportunity Is going to travel to you, Or through you. Once a friend gave me A small pine cone- One of a few He found in the scat Of a grizzly In Utah maybe, Or Wyoming. I took it home And did what I supposed He was sure I would do- I ate it, Thinking How it had traveled Through that rough And holy body. It was crisp and sweet. It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear

Când ne deschidem tu mie şi eu ţie, când ne scufundăm tu în mine şi eu în tine, când ne pierdem tu în mine şi eu în tine, Abia atunci eu sunt eu şi tu eşti tu.

Most people in this country are looking for literature that is useful. They feel that just exploring their feelings is good enough - they should be reading about leveraged buy-outs or how to get thin. We live in a culture that is so absolutely, madly focused on commercialism and on creating money and completely turned away from any other kind of creative value. People don't generally turn to poetry unless they're bereaved or have fallen in love. Or in adolescence, when their feelings are very strong and turbulent. I think most of us are dying for lack of spirit in this culture.

Ninja beats pirate. Pirate beats ghost. Ghost beats zombie. Zombie beats most. Werewolf beats vampire. Vamp beats Imp. Imp beats fiend. Fiend beats wimp. Wizard beats cyrborg. Cyborg surely beats troll. Troll beats goblin. Goblin eats a hermit’s soul. Hermit beats child. Child beats wagon. Wagon beats moon snake. Moon snake beats dragon. Dragon beats hydra. Hydra beats sailor. Sailor beats teacher. Teacher beats tailor. Tailor beats sun worm. Sun worm beats clown. Clown beats robo-squid. Robo-squid beats town. Town fights jackals. Town will win. Town fights mummies. Town won’t fight again. Zookeeper beats hell hound. Hell hound beats giant. Giant beats accountant. Accountant beats client. Client beats frog. Frog beats himself. Knight beats Big Foot. Big Foot beats elf. Elf beats pixie. Pixie beats specter. Specter beats sea hag. Sea hag beats Hector. Hector beats serpent. Serpent beats rat. Rat beats Grandma. Grandma beats cat. Lava beats demon. Demon beats warlock. Warlock beats dinosaur. Dino beats Spock. Spock beats Lando. Lando beats Qui-Gon. Qui-Gon beats Jar-Jar. Jar-Jar beats none. Rock beats scissors. Scissors beat paper. Paper beats insect. Insect beats vapor. Wood Woman beats Tree Man. Tree Man beats the dark. The dark kills spider-fish. Spider-fish beats shark. You beat me. I beat a dentist. The dentist beats the barber. The barber is menaced. These are the rules, and never forget. Now hand over your money and place your bet.

It came to me on a winter day. Life so full and rich will fade. Though I wish it were not so, One cannot run from an expected fate. And as a steady gust of wind fell upon my face, It was then when I felt a chill and thus did then know; Though I wish it were not true, Life beautiful and sweet shall ripe and pass today. As a petal falls from a rose so shall she blossom and shed; Catching each falling tear, I will not leave a word unsaid.

Success is counted sweetest by those ne'er succeed.

He loves me, he loves me not. How many flowers must I kill before he loves me?” ~He Loves Me, He Loves Me Not

Sevgili Güllük; Yastık kanepenin üzerine konur. Tekme atılarak düşürülür o. Pazar günleri kuru fasulye yenir. Karşılıklı, alt alta, üst üste ve daha değişik şekillerde durulur. Islak vardır. Portakalın içi de dışı gibi portakal rengidir. Köstebeklerin uçma kabiliyeti bulunmaz. Kamyonlar yük taşırlar. Kaza olur. Kaza yaparlar. Süleyman, Çetin, Atıf, Kemal, Necdet gibi erkek isimleri; Zeynep, Burçak, Burçak ve Burçak gibi kız isimleri vardır. Patates cinsleri vardır; kızartmalık ve haşlamalık. Çeşitli ebatlarda düğün pastaları olur. Muz olur.

No one could say the stories were useless for as the tongue clacked five or forty fingers stitched corn was grated from the husk pathwork was pieced or the darning was done... (from 'The Storyteller Poems')

Tell me, enigmatical man, whom do you love best, your father, Your mother, your sister, or your brother? I have neither father, nor mother, nor sister, nor brother. Your friends? Now you use a word whose meaning I have never known. Your country? I do not know in what latitude it lies. Beauty? I could indeed love her, Goddess and Immortal. Gold? I hate it as you hate God. Then, what do you love, extraordinary stranger? I love the clouds the clouds that pass up there Up there the wonderful clouds!

We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.

The soil under the grass is dreaming of a young forest, and under the pavement the soil is dreaming of grass.

Once I dated a woman I only liked 43%. So I only listened to 43% of what she said. Only told the truth 43% of the time. And only kissed with 43% of my lips. Some say you can't quantify desire, attaching a number to passion isn't right, that the human heart doesn't work like that. But for me it does-I walk down the street and numbers appear on the foreheads of the people I look at. In bars, it's worse. With each drink, the numbers go up until every woman in the joint has a blurry eighty something above her eyebrows, and the next day I can only remember 17% of what actually happened. That's the problem with booze-it screws with your math.

You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.

Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.

The Trifler Death's the lover that I'd be taking; Wild and fickle and fierce is he. Small's his care if my heart be breaking- Gay young Death would have none of me. Hear them clack of my haste to greet him! No one other my mouth had kissed. I had dressed me in silk to meet him- False young Death would not hold the tryst. Slow's the blood that was quick and stormy, Smooth and cold is the bridal bed; I must wait till he whistles for me- Proud young Death would not turn his head. I must wait till my breast is wilted. I must wait till my back is bowed, I must rock in the corner, jilted- Death went galloping down the road. Gone's my heart with a trifling rover. Fine he was in the game he played- Kissed, and promised, and threw me over, And rode away with a prettier maid.