Like, it's fun for me to sing 'I Think We're Alone Now.' But when 'Could've Been' comes out as a single, that's a ballad and really shows my voice; then people will say, 'Hey, this girl really can sing.'
If I were not a black artist but I was still singing, playing guitar, and singing ballads that are spiritual and cerebral, I'd be easier to market because people accept that from white female singer-songwriters faster.
People call me for the ballads. Apparently that's where I've been pigeonholed. But it's really interesting and really fun. It's my favourite part of the job, writing.
A lot of singers find a musical genre people like and stick with it. That's being a conformist. I sing ballads, rock, salsa, rap.
Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.
I am a balladeer. People fall in love to ballads, and that is what makes the world go round.
A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
Enthusiasms, like stimulants, are often affected by people with small mental ballast.
For him to have understood me would have meant reorganizing his thinking... giving up his intellectual ballast, and few people are willing to risk such a radical move.
I know some people aspire to a ballerina's body, but I looked forward to feeling more feminine.
Some people are painters, and some are ballet dancers, and I'm a writer.
I think that having a platform and having a voice to be seen by people beyond the classical ballet world has really been my power, I feel.
Being the only African American at this level in American Ballet Theater, I feel like people are looking at me, and it's my responsibility for me to do whatever I can to provide these opportunities in communities to be able to educate them.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
When I was younger, people would always say, 'Are you a ballet dancer?' I had that look - one of those skinny kids with my hair in a bun.
I remember that my mother used to take me to see ballets, especially if there were black people in them.
If you offer athletes stipends, then you're into pay-for-play, and that's the ballgame. People should realize that, and they should realize that amateurism never has been a sustainable model for a sports-entertainment industry. It wasn't in tennis. It wasn't in the Olympics. And it's not in big-time college sports.
In North Korea, grass is a vegetable eaten by the people, and they've got nuclear weapons and intercontinental ballistic missiles. So, something more stringent than what's been done to North Korea is going to have to work; otherwise, a military strike is the only option.
If you really believe the number one priority of our government is the protection of our people, then the idea of being defenseless against an intercontinental ballistic missile or any other type of weapon system that puts us in jeopardy is not acceptable.
I don't think I've ever worked on anything that wasn't way bigger than we expected. That's all the way back to working on fighting games at Paradox. Everything seems to balloon when more and more people get involved.