We would be driving down the street in a place like Zaire, now the Democratic Republic of Congo, and started to see, my gosh, the only people that have shoes are men. Why does that woman have a baby in her belly and one on her back, and she's carrying a huge load of bananas? You start to ask these questions.
A lot of people say, 'AC/DC - that's the band with the little guy who runs around in school shorts!'
The best compliment I get every year is that a band will write me and say, 'We were just on tour, and we had people coming to our show saying they had never heard us before they heard us on your show.'
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
See, I have to do my best because I am not as glamorous or as well-equipped like a Beyonce Knowles or Michael Jackson, where their band members are close to 100-150 people. They even have great equipment which is flown along with the artists. They have a budget of around $5 million pumped in to make their concerts a hit.
Band members have a special bond. A great band is more than just some people working together. It's like a highly specialized army unit, or a winning sports team. A unique combination of elements that becomes stronger together than apart.
If a leaf fell from a tree, I'd stop juggling and play with the leaf. I went to my prop bag and got a little bandage and stuck the leaf back on the tree. People loved it.
The most common phrase bandied about these days is 'Oh my God'. People say it automatically all the time - not realising that that's a form of prayer.
My lowest point came when I shifted to Mumbai in 1993. Nothing was happening. This is right after I did 'Bandit Queen.' I had no way to tell people that I know my job. There was no casting department here. All the commercial films that were happening in those days did not have any place for me.
Most bands out there are basically pretty boring. I try to affect people inside their bodies.
When the great jazz and blues clubs closed - joints where the cash register rang loudly and there wasn't ESPN on TV over the bandstand, and people smoked cigarettes and drank whiskey and hollered 'Play on!' - When those places closed, I was pretty much done.
I have similar feelings, actually. The intimacy of a club: you can see the people, you can almost feel them; you can't beat that. People will say things, and shout out, it's almost like they're up on the bandstand with you.
I've seen a lot of people jump on and off my bandwagon.
My advice to new artists is to not follow a trend, but to start one. By that, I mean to not be tempted to do what business people might suggest to you, to jump on the bandwagon, but to be strong.
I get my share of 'cold' requests via LinkedIn from people who are launching non-profit or for-profit ventures and who request a meeting to get my input or help. I wish I could say yes to all of them, but given limited bandwidth, I say yes to the subset who've written a compelling description of their work and who are underrepresented.
Busy people all make the same mistake: they assume they are short on time, which of course, they are. But time is not their only scarce resource. They are also short on bandwidth. By bandwidth I mean basic cognitive resources - psychologists call them working memory and executive control - that we use in nearly every activity.
Most people didn't have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
For people who have been raised on text-based interactions, just speaking on the telephone can be high bandwidth to the point of anxiety.
When I write a team book, it's all about how they relate to each other and what they bring to the team and the book. Whether it's Black Canary and Huntress or Bane and Scandal, I look for a relationship that people can believe in, that they want to follow and learn more about.
I'm kind of like a folk singer mixed with soul, but I feel like if you really are a lover of hip-hop music, make the beat banging as possible and then put the message in so that people get the honey with the medicine.
