I have never spoken to Eminem. I've never even spoken to him once.
I never knew a man come to greatness or eminence who lay abed late in the morning.
With global warming, I'm never going to time-travel. It's probably going to cause some major emission problems.
I see my real job now as - never mind 'The Office,' 'Extras,' film career, Emmys - I want everyone in the world to know who Karl Pilkington is.
I've been nominated for Emmys and Golden Globes, but I've never won one and I probably never will.
'Gutur Gu' is a silent comedy, which I had never done. I wanted to do something out of the box. It's exciting, tough, and fun. Dialogues are very important for actors, and to emote without them took some getting used to. It's giving me scope to learn a lot.
On an emotional level, success in America would be terrible for me; it would be insane. I really, seriously, never want to be famous here.
Never build your emotional life on the weaknesses of others.
My skating is a very emotional thing that comes from the heart, never doing it for the medal.
You never really know why you become an actor: it's a visceral thing, an emotional thing.
I would never make a purely autobiographical movie, because it would be incredibly boring. But I always bring something. It's usually some emotional truth I've experienced, like in 'Get Him to the Greek,' the relationship between Jonah Hill and Elisabeth Moss, I had certainly had that kind of relationship with a girlfriend.
I primarily have had my career in comedy, and that is something that I have never been too concerned about because I know there is really no room for vanity in comedy. Comedy comes from pain and it is a lot easier to empathize with somebody who is out of shape.
I've never thought of it consciously... I say exactly what I think, and very often it's totally politically incorrect. I get, always, chastised for it. So it's not shtick. But I think I'm the one who says, 'The emperor has no clothes.'
School has never really been about individualized learning, but about how to be socialized as a citizen and as a human being, so that we, we have important rules in school, always emphasizing the fact that one is part of a group.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
Being an employee is a bad outcome. You want to avoid that. Being an employee is never a good outcome. That's just an opinion.
Never get married in college; it's hard to get a start if a prospective employer finds you've already made one mistake.
I'm a true believer that you have a moral obligation to keep your employees honest, and that is why you have controls, so I'm never tempted or put in a position where I could do something to defraud my employer.
It's rare that I'm not at work on some sort of craft project. I've often enthused about the need to make things; how it employs a unique set of muscles - physical, intellectual, spiritual - that I can attain a state of flow when making something that I almost never can when writing.
I think probably one of the important things that happened to me was growing up in Idaho in the mountains, in the woods, and having a very strong presence of the wilderness around me. That never felt like emptiness. It always felt like presence.
