I'm very moody, so I dress for whatever mood I'm in. Sometimes I want to be a little more boyish and flowy and comfortable. Sometimes I want to feel a little sexier and more composed.
I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.
You must always be open to new experiences; by this means, your physical and etheric bodies will be brought into a condition which may be compared with the contented mood of a brooding hen.
Revolution is a phase, a mood, like spring, and just as spring has its buds and showers, so revolution has its ebullience, its bravery, its hope, and its solidarity. Some of these things pass.
When my mood was high, I seemed normal, even buoyant. I felt smarter. I had secrets. I could see God in a light bulb.
We share our planet quite naturally with a permanent aeroplankton; a buoyant ecology too soft to hear, too small to see, but heavy with mood and meaning. Imagine being aware of all these airy inclusions - and you can begin to understand how it might feel to be able to smell really well.
Around me, there's always music playing. It just calms me down; it soothes me. It helps me write. It helps me with my mood.
When my cats aren't happy, I'm not happy. Not because I care about their mood but because I know they're just sitting there thinking up ways to get even.
Actors are hard to photograph because they never want to reveal who they are. You don't know if you're getting a character from a Chekhov play or a Polanski film. It depends what mood they're in.
It's like different moods, so whenever you in one mood, I got a song for that. And then you in a down or other type of mood where you really just wanna chill, I got that type of music, too.
There are, I think, four distinct types of weird story: one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax.
I wrote for nearly six hours. When I stopped, the dark mood, as if by magic, had folded its cloak and gone away.
Whatever I'm feeling, whatever I'm going through, whatever mood I'm in... If I'm feeling like dancing or clubbing, then it will be reflected in the music. If I'm feeling dark and vulnerable, then it will reflect in the music, too.
No matter what, I'm trying to have fun and, depending on the mood, fun can be on a roller coaster and playing onstage, or fun can be sitting in a room with three of your best friends talking for two hours.
If I bring anything to the Coen Brothers' films, it's my ability to change tack and create a different mood from film to film.
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
I've always been a very visual creator. I make mood boards or sit with coloured pencils and scribble and try and figure out what I'm trying to work through musically.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
The weather and my mood have little connection. I have my foggy and my fine days within me; my prosperity or misfortune has little to do with the matter.
While writing, I tend to repeat the same song, endlessly, for thousands of times. This helps me ignore any lyrics, and helps create a consistent mood for each book.