There are so many different things that create an alchemy of success. Just like there are so many different things that create an alchemy of a failure.
I remember watching episodes of 'The Sopranos' and being filled with dread knowing what was coming or anticipating what was coming. I don't think that that's always a bad thing. I think sometimes the audience needs a little catharsis held away from them.
I don't write scenes where one person is right and one person is wrong. It's very much by design that everyone has a point of view that you as an audience member can understand.
Around me, there's always music playing. It just calms me down; it soothes me. It helps me write. It helps me with my mood.
Writers are, for the most part, crazy people. We're like Hephaestus of the forge. We're gnarled. We're curled over. We walk with a limp.
When you pretend to be an authority on everything, it forces your subordinates to defer to your opinion - which may not be the most informed in the room. If you have humility concerning the gaps in your experience or ability, it allows others to shine.
When we started on 'Power,' I was committed to respecting the differences among Spanish dialects: Dominican, Nuyorican, Mexican, etc. I wanted the language our characters spoke to be as specific as possible, to reflect New York as it is.
Show-running is a very difficult job that includes so many responsibilities; I'm working with the actors, working with directors, writing, making decisions like, 'What fabric is that sofa gonna be?'
It's ridiculous that we let broadcast and cable shows compete against each other at the Emmys. They are not the same animal.
You don't keep your job if you don't make a great show.
I think women judge other women more harshly, always, which is a shame.
I called my show 'Power' because, for me, the whole series is about the way my main character, Ghost, is power-less over his circumstances, even though he has almost endless access to money and guns.
I first became a showrunner at 36 years old. I had no experience doing this job, which is as complicated and multi-faceted as anything I'd ever tried.
The revolution is that we can be anything. We don't have to be one thing or the other. The idea that it is my responsibility to represent only good black people... I mean, what are you talking about? That's not a character - that's a polemic.
In 2011, when my father passed away - I had my daughter first; I had her on January 24, and I had a seizure during the delivery. I lived through that, and five weeks later, my father died suddenly of a heart attack, and I lived through that. And then my daughter had surgery, and I lived through that.
I want to tell more stories about lying, dual lives, self-deception - those are my favorites.
'Power' would never have gotten on the air if the folks at Starz weren't saying to themselves, 'This is an underserved audience.' It was a financial decision, not a benevolent decision based on a need to change the industry.