People ask me often, 'Why did you leave Green Bay? You had the best quarterback, you were going good and all that.' But I've always been one for challenges. Try to build something up, try something new, challenge myself.
Judy couldn't move to Britain for family reasons, so I had to come to the States, and the U.S. government wouldn't give me a Green Card, so I airily told her I'd write a book.
I married him for a green card. We had a really great, caring relationship; it just obviously wasn't right for me.
I listen to Nine Inch Nails, Green Day, U2, and it becomes part of me, comes out in my music. Wherever it goes, there will always be the fabric of New Orleans in it.
I was pretty much into punk rock and that's all I cared about. I was into Green Day and the Ramones. I wanted to get a guitar so I could play punk songs because this kid taught me power chords at summer camp.
If you told me in the '90s that I'd be in a chart battle with Green Day, I probably would have just laughed at you.
I was a Green Day guy because the first DVD I bought was Green Day's 'Bullet In A Bible,' the live album. That really empowered me to be not just a drummer but a performer. It's a really crucial part of why I wanted to be in a band.
It was weird - my parents would let me have some Green Day albums but not all Green Day albums.
Nothing surprises me on 'Happy Endings,' because the show - I think one of the awesome things about the show is that it's so open to doing anything. We could do a genre episode. We have the green light to do whatever we want. Mostly because no one's watching.
I owe a lot to Darren Perry. I don't think I'd be this far this early if it wasn't for him pushing me to run an extra second or showing me a play on film and telling me when I see it, that's the green light to go do it and don't be afraid to take that next step and take chances. That's what the game is about.
'Empire' was already given its green light. I was like, 'Alright, this makes perfect sense. They wouldn't be going this hard on me if I didn't have it.' So it was last minute when I learned, you know, it's a business decision. That was my fault.
When 'Vida' got the green light, Starz sent me this picnic basket of Jamie Fraser red wine and all these 'Outlander' things that I'll never open because it's like my sacred thing.
I don't feel comfortable with the idea that my only gateway into doing what I love to do is auditioning for other people to give me the green light and say that I'm allowed to do it, or that I'm allowed to play this role, or that I'm allowed to be in this movie. I would feel much more comfortable making those opportunities for myself.
The doctors have given me a green light. They have said that my heart is significantly more efficient today than it was four months ago. And I am anxious to be the next president of the United States.
It's funny, because even though on a drama like 'Picket Fences' those long monologues would stress me out, doing special effects where there's a green screen and there's nobody there to to react to and you have to recite all this dialogue, it's so much more difficult.
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
Theater definitely prepared me for Cyborg in the best way possible. All of the green screen definitely takes me to my minimalist theater days.
People often ask me whether I prefer theater or film, and the answer is that I prefer the one I'm not doing: The grass is always greener.
And I'd like to give my love to everybody, and let them know that the grass may look greener on the other side, but believe me, it's just as hard to cut.
