I remember tap-dancing and singing in front of the TV when I was a kid, telling my dad to stop watching Ed Sullivan or Milton Berle and watch me.
When the Beatles were on 'Ed Sullivan,' life went from black and white to color like in 'The Wizard of Oz' - and the irony I'm in the band Toto is not lost on me.
I was the first to promote The Beatles in the States, and Ed Sullivan called me first about them before he ever booked them on his television show.
Me and my mother, we both love Eddie Murphy.
Eddie Fisher married to Elizabeth Taylor is like me trying to wash the Empire State Building with a bar of soap.
Everything was a lot more challenging for me because of who my brother was. If I were in the film, someone would had said that I got the part because Eddie's in the film. If I wrote a script, folks would say that I didn't really write that: that Eddie did and I threw my name on it.
My own son called me Eddie Murphy's brother once. Once.
I've been called Mr. Eddie's brother, but I don't trip on that. Whether you realize it or not, that's a sign of disrespect. If you address me, call me by my name. You can't lower me or make me feel uncomfortable.
I love storytellers. When I was growing up, my inspirations were watching Eddie Murphy, Dennis Wolfberg, and Louie Anderson. These guys were great at telling stories, and I made that my own style, talking about things that happened to me and trying to make them funny.
When I was 13, Eddie Murphy was to me what Chris Tucker was to 13-year-olds when I made 'Rush Hour.' And 'Rush Hour' really came out of the fact that I grew up watching 'Beverly Hills Cop' and '48 Hrs.'
If I could work with Eddie Murphy on 'SNL,' I think I could quit comedy forever. For me and my generation, he's God.
I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
Mike Matheny, Fernando Vina, Edgar Renteria, Mark McGwire and Darryl Kile... before he died. Those guys took me under their wing and taught me the way to play the game the right way.
Edgar Allan Poe, I think he's a brilliant poet. I was actually given a copy of his work when I was, like, 8 years old that was my grandfather's, and I still carry it around with me.
Both me and Edgar are firm believers in never underestimating or talking down to an audience, and giving an audience something to do, to give them something which is entirely up to them to enter into the film and find these hidden things and whatever.
I'm 42 and the age of a guy who has kids, so I guess I'm playing right where I'm supposed to be. I'm comfortable with that, but in the same breath I'd do something edgy. If someone came to me and offered me an edgy and funny story, then I'd do it.
I can pull off a range of outfits from nice, edgy suits to more rugged, casual looks. Your look one day can be totally different than the next day, and for me, it's all about owning that.
Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
I've never really had a media edifice supporting me.
