Sometimes I eavesdrop on people. I could rationalize it - oh, this is good anthropological research for characters I'm writing - but it's basically just nosiness. It also helps me gauge where I'm at: Am I normal?
For me, New York is about anonymity; that's the draw. It's not at all about other people in my business being nearby. It's that I can get on the subway and eavesdrop on conversations that I would never have access to otherwise. That's why I stay. That's why I could never leave.
I always have a notebook with me, I eavesdrop; I write down what people say. It's very rare that one of those things will provoke a story, but I think that that kind of paying attention all the time, and keeping everything open, lets the stories come in. But where they come from is still a mystery to me.
People inspire me. Everyone is such an individual and has unique stories. I'm a voyeur. I eavesdrop. Sometimes I ask questions. And sometimes people just want to tell me their stories.
If you're like me and nosy, you're always eavesdropping on other people's conversations.
I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
If the goal is to be believable when you're acting, I've got the best idea of what that believability might look and feel like. And because you need a normal guy in a comedy so that the eccentricities can pop, that's a good part for me.
Probably I have more phobias, fear and eccentricities than I would care to admit. I don't think I'm in danger of losing my mind, but I do often question my own behavior. I have a very bad temper, and it's not always healthy for me and for others. I make my way in the world more difficult, and I could do with a little more yoga.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
I don't want to cancel the South out in my life. I carry my Southernness with me. God knows, it's a great place to come from. It's also a place I had to get away from. It is just an endless world for me, so much culture and eccentricity.
When I hear people who love my music and are trying to copy it, it sounds strange to me because it sounds so simple, made by other people. It took me a lot of years to find the balance, to find a way to be on the edge of being accessible but at the same time having the echo of a deep, more complex world.
Malacca fascinates me more and more daily. There is, among other things, a mediaevalism about it. The noise of the modern world reaches it only in the faintest echoes; its sleep is almost dreamless. Its sensations seem to come out of books read in childhood.
Once every lunar eclipse, you should be able to see me smile!
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
Yeah, I get to fight in 'Eclipse.' My trainer is teaching me MMA right now. So. Cool.
I'm sure 'Boxing Helena' will eclipse 'Twin Peaks' and Audrey Home for me. If people here go see it.
I've always gravitated toward men who sort of kind of eclipsed me in some way. And I think that it's because I have this need to be better.
It truly seems to me that there is some kind of shift happening towards ecological awareness - not just in terms of PR for the science.
I have a certain pool of subject matter that I like to write about, things that interest me: politics, religion, ecology, and relationships between men and women. And that's usually what I focus on.
I will come up with a project that will wipe out poverty in the Philippines in two years. I want to remove the people from economic crisis by using the Marcos wealth. Long after I'm gone, people will remember me for building them homes and roads and hospitals and giving them food.
