My table is now brightly, now dimly lighted. Its temperature varies. It may receive an ink stain. One of its legs may be broken. It may be repaired, polished, and replaced part by part. But, for me, it remains the table at which I daily write.
Leonard Cohen has a way with words and with humor that remind me to lighten up, which I appreciate very much.
If I can laugh with people, it makes me feel safe with them. If I feel someone has no sense of humour, I find it really scary. I do it with the kids as well: put on stupid voices to lighten up the spirit or gee them along to do something.
I always wear some make-up, even on quiet days when I am not doing so much with my time. I like to start using Dolce & Gabbana Perfect Finish Creamy Foundation as a base, as it's lighter than air and doesn't make me feel 'caked.'
What really irks me is the snide victimizing suggestion from some that I have tried to be lighthearted and funny... Oh my God - this is so offensive.
I don't think I'm morbid by nature. Serious writers have always written about serious subjects. Lighthearted material doesn't appeal to me, and I don't read it. I think I'm a realist, with a realistic sensibility of history and the tragedy of history.
It's funny because being comedic and happy and lighthearted is who I am as a person, so they're easier emotions for me to connect with.
The lighthearted moments of 'Girls' are really not speckled throughout and that to me is just super exciting, to be able to delve into the darkness that you are greeted with in your early 20s and the fear and what that makes you do, the places that you can potentially go with that.
Often, joking for me is a way of diffusing the awkwardness of a situation, so it's kind of exhilarating to be a part of projects where there's nothing funny or lighthearted.
At some point, I picked up an old library copy of 'To The Lighthouse' someone had bought for 25 cents. I began to read and didn't stop until the sun had blistered my back. A mysterious rightness, a beautiful submerged truth had invaded me, one that has ever since seemed slightly beyond my grasp.
All the characters I play are all inside of me in a way, and they're all different, the darkness, the lightness, whatever that is.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
I'm always looking to the lightweight superproduct that you apply and almost don't see. That's the ultimate, at least for me.
Would I take Conor McGregor? No, he's a lot shorter than me. I don't think we'd be allowed fight - a heavyweight and a lightweight.
So it was good for me to play a likable person and it was just an amazing situation to be in.
Women like me aren't supposed to run for office.
For me to go to America - which I find such a positive place - well, I took to it like a duck to water.
I don't know if likeable, pleasant characters have enough conflict for me to want to do them. I admire those people, but I've never been that kind of screen presence who can do nothing. I need to do something.
I do think there are some actors that can get away with trying to be funny, and they're still funny because they're just likeable, and you want to see them. Me, though, when you see me trying to be funny, it's like the worst thing in the world. It's needy, it's cloying, it's manipulative - it's bad.
I know I'm likeable, but living with me is different. Yes, I can be charming. That desire to please people and learning what to do to charm their socks off is something many of us do. But you get into a relationship, and the party's over at some point. They see the real you.
