The colored folks been singing it and playing it just like I'm doin' now, man, for more years than I know. I got it from them.
When I'm not working, I would kill to have some sort of creative outlet other than, say, a coloring book. And when I'm working, I want to do all those things I was griping about - you know, make a turkey-and-cheese sandwich, put it in a zip-top bag, and stick it in a lunch box right now!
Evil looks like you and I. I know what evil looks like, and I know that it comes in all shades and colors.
My skin's not a normal sight. When a photographer says, 'I don't know what it is, but that's just not it...' I know. They like the different colours of my skin. They're not getting them with a particular outfit.
I love, you know, a lot of jazz, John Coltrane.
When I first came to Columbia University, I was dirt poor. I did not choose to come here - I just ended up here because I had nowhere else to go, having just escaped from China after Tiananmen. I was in a new country where I didn't understand the language, didn't know anybody, and didn't have a penny to my name. So I was desperate and afraid.
I used to write a monthly column for the 'New York Times' syndicate. But I stopped because I found it really hard to have one extreme opinion a month. I don't know how these columnists have two or three ideas a week; I was having difficulty having 12 things to say a year.
Those inevitable dreams where you can't get your column in, you know, and at first they were the Xerox telecopy, and then they were the fax machine, and then they were, you know, email. The anxiety remains the same, but the technology has changed.
I'd like to know what I could do if I really had the time to spend on writing a book, with no columns or shows to do at the same time.
Ronnie Spector's hair was taller and meaner and scarier than all four Shangri-La's combined, plus the drummer from the Honeycombs. You just know her rat-tail comb was a switchblade.
I came to know Gore Vidal in the mid-1980s, when I was living in southern Italy, virtually a neighbour, and our friendship lasted until his death in 2012. Needless to say, he was a complicated and often combative man.
We know virtually all of the genes known to mammals. We do not know all of the combinations.
All the interests of my reason, speculative as well as practical, combine in the three following questions: 1. What can I know? 2. What ought I to do? 3. What may I hope?
I love sports. I love animals. I love kids. I want to save the world. So how do I combine all those things? I don't know.
I wasn't even a big comedy nerd. A lot of the comedians I know - a lot of my friends are comedians - they knew a lot about comedy growing up.
I've been trying to find women writers for my staff for a while now and I have three women on my staff and three guys so it's pretty equal. I don't know why that is. It's been the same thing for a while. It's hard for female comedians to stand out. That's weird. That's a shame.
I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an audience.
I know the video platform so, so, so well. I know the perfect mixture of how comedic a piece has to be, what the video has to be like, what the song has to sound like, to make it successful.
Most comedies are really hard to write, or to watch, because you kind of generally know what's coming.
I get a lot of flack from critics that my comedies are all over the place, my dramas are all over the place, they're schizophrenic - as if I don't know that!
