World makers, social network makers, ask one question first: 'How can I do it?'
The difference between humans and other mammals is that we know how to accessorize.
I learned how to play mandolin for 'A Mighty Wind!'
My type of basketball is about how to create space, how to maneuver, how to get your shot off.
Online, you show how brilliant you are by manipulating the language of the Internet.
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
When you analyze all the data, there is a warming trend according to science. But the jury is out on the degree of how much is manmade.
Learning Indian mannerisms, how to wear saris, and the language were a challenge.
My mother's mantra was, 'How would it look to the neighbors?' And so you don't do anything because you're worried about how it would look to the neighbors.
Recently, I looked back at my first manuscripts and was struck by the lack of space, of breath. That's exactly how it felt, back then... like I was suffocating.
That is how you get to be a writer, incidentally: you feel somehow marginal, somehow slightly off-balance all the time.
Marines don't know how to spell the word 'defeat'.
'Martha Marcy May Marlene' is excellent. I adore how the film is both grounded in realism and, at the same time, it has an ethereal, nightmarish atmosphere.
Marty Schottenheimer knows how to win, and that's what Redskins fans demand in a coach.
That's what I love about working for Marvel is how welcoming and kind everyone is.
If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.
I had to learn how to not be a micro-manager. Maternity leave made me do that. I just couldn't anymore.
I think everyone is very surprised at how 'Matrix' has become the pop culture phenomenon that it is.
A person's a person, no matter how small.
I was raised in the '50s. I was taught by my father that how I looked was all that mattered, frankly.
