How does one measure the success of a museum?
I only know how to write musicals.
Actually, I wear the nail polish to hide how grubby my nails are.
It's more interesting for me to figure out how to be superior in areas where I'm naive, where I'm a novice.
In the writing of novels, there is the problem of how to shape a narrative.
It is an outrage that Donald Trump can swear and scream on national television and no one says boo about how he presents himself.
Typhoon Haiyan showed the entire world how vulnerable the Philippines as well as other developing countries are to natural disasters.
There's no road map on how to raise a family: it's always an enormous negotiation.
I don't show tension and nervousness, but I know how fast my heartbeat races before a race.
Our net worth is ultimately defined not by dollars but rather by how well we serve others.
I guess with a Netflix show, if you're a kid, it's all dependent on how you're raised and if you have access to it.
For delightfully quirky descriptions of bizarre neurological syndromes that teach us a lot about how the brain works, there is no match for Oliver Sacks.
Most people don't realize how regulated the pawn industry is, especially where I'm at in Nevada.
Relativity can, for instance, explain that the universe had once been clumped into a dense fireball. But it can never explain how matter actually behaved.
That's how I taught myself how to draw - tracing the ads and petting new clothes on the models.
I'm impressed with how 'Newsweek's' outstanding staff has continued to put out a lively, well-informed magazine after the departure of their tireless editor, Jon Meacham.
Life is ten percent what happens to you and ninety percent how you respond to it.
You realize you have no control over how you're perceived.
I don't have no friends. I don't want no friends. That's how I feel.
When people see what I have now, they have no idea of where I came from and how I didn't have anything growing up.