I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
I was a pretty nice kid. Kind of quiet, but quiet in terms I wasn't going out and setting fire to anything. I had a big mouth and I was creative type, you know.
I went to Duke University in the medical track. And then I decided I wanted to do something more creative, so I switched to biochemistry at Nebraska.
I feel like 'Birds in the Trap' seem united; it's just metaphor for ones in their box that are stuck and can't get their creative idea out.
As the Internet of things advances, the very notion of a clear dividing line between reality and virtual reality becomes blurred, sometimes in creative ways.
Retaining a child-like sense of wonder is a boon for creative types like Steven Spielberg and J. K. Rowling.
The creative process is often wrapped up in bottomless anxiety, and when the world applauds the product of that process, it soothes the anxiety. Briefly. Then the anxiety returns and even intensifies.
In my creative life, David Bowie is definitely an enormous influence on me, being one of rock's greatest shapeshifters.
Groups break up because they never got across what they wanted to do personally, and they have creative differences, and egos start to clash.
We need creative people working with broadcasters, making smart content to inspire people to be geniuses.
There's an eternal war between a creative person and the business person.
I find, in merchandising and design and creative, a business school degree isn't particularly helpful.
I decided to do whatever I could to make sure the business side of music didn't intrude on the creative part.
Being an entrepreneur means being a creative businessperson.
We are exploring creative models to pursue innovation outside the confines of our normal process, taking calculated risks and learning from them.
We don't design by calculator or by demographics or anything like that. We really are a group of creative, sensitive people. We have our charmed little world where we get to make things. We're really lucky.
London has always moved and surprised me, reinventing itself in ways both fresh and familiar. It's a contrary, complex and creative city, an anarchist of a thousand faces - fickle and unfailing, tender and bleak, ambitious and callous.
On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.
I always had faith in my creative capacity.
My name is out there right now. I'm creative and innovative. I should capitalize on it.