Quotes by "Mahershala Ali"

There are so many women who contributed in a very real way in pushing for the space program during the time in which there was a lot of competition to get into space first, and to know that there were African-American women who were integral in that success is pretty phenomenal.

Who is that person that comes around and says, 'You are OK, you are worthy, you are special?' That makes all the difference in the world for many of us. Those are the people we appreciate the most.

I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.

I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.

I remember clearly, when I was about 4, my Aunt Linda said, 'I'm not babysitting him no more. He's bad.' It was one of the first conscious shifts I remember making. I decided, 'I'm going to be good now.'

It's a lot of wonderful things about the Bay area and Oakland that I absolutely love. I wouldn't change being from there by any stretch.

As a kid, my dad would take me to see indie films when I would visit him in New York. Films that I just wouldn't see growing up in the Bay Area.

My father, Phillip Gilmore, was very talented. He was getting seriously into dancing. He was on 'Soul Train' and won $2,500. But the Bay Area was too small for him. I don't think he had the space to do what he needed to do.

I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.

At a earlier age, I was kind of into a pretty large scope or range of music from Hieroglyphics and the Hobo Junction guys and all that to like a lot of stuff that was in New York like Diamond D, Nas, Brand Nubian, of course Biggie, OC, Organized Confusion, Tribe Called Quest, De La Soul, Digable Planets, who I just saw recently, and they killed it.

My manager called me and said, 'Hey, there's a series at Neflix.' I'm like, 'Netflix? Oh, boy.' At that time, it was just a strange thing to hear. It's like going, 'There's a series at Blockbuster.'

Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.

I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.

I think that black people, to a degree, need to have a certain level of dexterity. If we want to be at the highest level of whatever our field is, we have to be able to navigate both worlds. We all just know that you gotta be able to put that suit on and have a conversation with people that don't look like you or your family.

When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.

Like so many families, we were dealing with limited means. We weren't poor at all, but we had some challenging times financially. When my stepdad got laid off... we were really trying to find our footing for a couple of years.

I found myself sort of becoming a character actor, though I don't know if that would be my natural makeup.

I don't have a wallet. I carry my driver's license and a couple of credit cards in my phone. That, and a money clip.

In my humble opinion, the ages 22 to about 27 are the most critical years of your adult life. It's your time to gestate in the cocoon of becoming.

At a certain point in my career, I was probably having a difficult time 'holding space.' So you get a character that has to be commanding in order for him to resonate and make sense.