I didn't buy the Porsche for status. I hate that, and it's actually kind of goofy now because in L.A., a Porsche is like a Honda. It was just that I could pay that much money for a car and drive it off the lot.
My mother was determined to make us independent. When I was four years old, she stopped the car a few miles from our house and made me find my own way home across the fields. I got hopelessly lost.
All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
Back in the old days, guys used to wreck hotel rooms and trash rental cars and all that dumb stuff. When I came into wrestling, they were like, 'We're out of cars. You're one of those wrestlers. No, we're not renting a car to you.' It was like that. We had to re-create, re-establish the trust.
At some point, extra incomes don't go to sate desires but to attempt to buy status through 'positional goods' - like the hottest car on the block. The problem is that there can only be one hottest car on the block.
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
I used to have a recurring black-and-white dream where I would drive in on a hover car and raid the shoe closets of this huge mansion. I don't know what that means at all, to be honest.
New Zealand was such a weird place in the 1980s. For instance, we used to have this commercial in the late 1970s where this guy drives this car and stops outside a corner store. He goes in to buy something, and when he comes out, his car is gone. He's like, 'Huh?' Then a voice says, 'Don't leave your keys in the car.'
Trying to run Congress without human relationships is like trying to run a car without motor oil. Should we be surprised when the whole thing freezes up?
This is going to sound ridiculous, but I remember watching 'Boyz n the Hood,' and there is a scene where Cuba Gooding, Jr. gets pressed against a car by a police officer, and he starts crying because it's so humiliating. I remember thinking in that moment that I could totally identify with him, and I'm a little white kid from Canada.
I could never drive in a great big car; people like me because I'm a man of the people, a hustler.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
I drive a hybrid. It's a Ford Escape. That's my only car.
I drive a hybrid, moving into an electric car. I only drink tap water, never consume food that's travelled.
Since I got involved in Telco, we first developed the first modular truck, the 407, then the 709, and now the 2213. These trucks broke away from the old face of Telco trucks. I was also just as much involved with the Safari, but nobody talks about the Safari. My involvement has been there with all Telco's projects -somehow the car has got hyped up.
Cars can have a hypnotic effect. You can get in a car and get out and not really remember the trip.
Yeah, I left Idaho at 17. You know, I graduated high school a year early and just, you know, the typical story, packed up my car and moved out.
Glamour is all about transcending this world and getting to an idealized, perfect place. And this is one reason that modes of transportation tend to be extremely glamorous. The less experience we have with them, the more glamorous they are. So you can do a glamorized picture of a car, but you can't do a glamorized picture of traffic.
The lead car is unique, except for the one behind it which is identical.
If a movie is really working, you forget for two hours your Social Security number and where your car is parked. You are having a vicarious experience. You are identifying, in one way or another, with the people on the screen.
