My most memorable recognition story was in Venice, Italy. My fiance and I were renting a car, and I was recognized by the person standing behind me by my voice. I thought that was hysterical!
My first-ever car, my parents bought me a red Fiat Uno. I was 17 and just so happy to have a car, so I was very fortunate that my parents were in a position to get me one - it was a secondhand car, but I was just so happy to have it.
I mostly drive around in a Fiat 500 TwinAir, and that's a pretty small car!
A Fiat Panda, it's the best car in the world.
I never bothered with cars. I was probably one of the few kids in school who didn't run around with hot-rod magazines. As I would be at home fiddling with my guitar, they would be fiddling with a car engine.
The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight scene - and make something more dynamic.
A lot of people think Formula One isn't a sport because everyone drives a car when they go to work in the morning. But we're pulling up to six G on a corner or during breaking, which is almost like being a fighter pilot. So we have to do a lot of work on our neck muscles.
My daughter Lila loves the smell of gasoline - she always says, 'Mummy, keep the door open,' when I'm filling up the car. I've heard it is one of the most preferred scents in the world - maybe that's something to study for my next fragrance!
Wherever I am in the world, if I get free time when I'm filming I always hire a car, take to the road, drive for miles and explore.
My favorite thing to do in L.A. is to be in a car with friends listening to music. The perfect time is twilight, when the setting sun is filtering through the palm trees. Back in the day, we'd be listening to the Vandals, X, or Farside. Now it would be L.A.-based bands like Dum Dum Girls, Foxygen, or Ty Segall.
'Twenty Thousand Hertz' investigates the role of audio professionals in our daily lives, from the engineering that ensures a car door closes with that reassuring finality to the Foley artists of Hollywood who synthesise the sounds of marine life using old kitchen equipment gathered at the pound shop.
I studied to be a car mechanic. That was my plan B. Servicing cars and changing tyres in Finland.
I didn't grow up with a lot of money, so my mom didn't have random money to buy me a car, and I didn't have money to have a car unless I worked, so I didn't get a car until I got my first job at 18.
On Memorial Day, I was out floating on Lake Norman and came across Denny Hamlin. We struck up a conversation, and one of the first things we were talking about was how much it helped him when he started racing the Cup car and how much it helped his Nationwide program.
A muscle is like a car. If you want it to run well early in the morning, you have to warm it up.
I'm a hard worker, and everything with me is, if I work hard, I should get paid for it. Everything with me, I try to symbolize something flashy like jewelry or a car. The rubbing hands is a symbol of hustling, so it goes back to the money.
I tell people, and it's the truth, I could sit in my garage for a week and it won't make me a car. And you can sit in church till your bottom is flat and that won't make you a servant of Christ.
If you sign someone with the speed but whose time is over, they will set up the car differently and badly. You are 80 percent of the time going through corners, and you set up the car differently compared to someone who comes and wants to go flat out.
So many car commercials are shot in the Salt Flats, and so much great imagery comes out of that place, but I've never been there, and I'm curious.
I am a spiritual person in an eastern religion kind of way. I learned that happiness for all of us is a switch that you flick in your brain. It doesn't have anything to do with getting a new house, a new car, a new girlfriend, or a new pair of shoes. Our culture is very much about that; we are never happy with what we have today.