We have always said that over the medium and long term, we will disinvest some part of our holding in our major subsidiary companies, and life insurance is our largest subsidiary company.
When I hear somebody sigh, 'Life is hard,' I am always tempted to ask, 'Compared to what?'
When I hear somebody say 'Life is hard', I am always tempted to ask 'Compared to what?'
I'm always giving life lessons in my music.
There's only one person in this race who will be there, who's always been there for you, and that's Hillary Clinton's life story.
I always want to tell the truth. It doesn't have to be a pretty truth, and it doesn't have to be a life-changing and life-threatening truth like 'Chi-Raq.' But I want to tell someone's truth in an effort to inspire people to see themselves reflected on the screen.
I come to writing the same way I come to teaching, which is that my goal is always to create life-long readers.
Depression is a horrible, potentially life-threatening illness - but the lives it threatens are almost always those of the people who suffer from it.
Young people, throughout history, have always been the lifeblood of every movement for civil and human rights.
I've always been a fan of comedy. I've always enjoyed it. It's something I'm very passionate about; it's like lifeblood to me. I had to pursue it. I thought I had a little bit of talent, and if I could make a living at it, I would do it. It's worked out so far.
I love the 'Delilah' show. I've been listening to it for years and years. It's incredible. She's always got a song for the right occasion. Many people call in, maybe their spirit it a little down, and she lifts them up. She is really somebody special. She's a lifeline to a lot of people.
In short, the satisfaction of creating, not necessarily the process, always lifts my heart.
I think our Batman had to be fun, light-hearted, funny, tongue-in-cheek... and I think that made kind of an homage to those earlier comic books, where Batman always had a quip or something.
I've always tended to write comedy, but I'd hate to just write some kind of sitcom or a lighthearted series of jokes and slapstick. I wanted to talk about some deeper things within the comedy.
Country music is always changing but the Opry is always there to serve as a lighthouse for what country music really is. The past, present and future is all encompassed by not only the physical structure of the building but also the radio show.
I'm always looking to the lightweight superproduct that you apply and almost don't see. That's the ultimate, at least for me.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
I always find it easier to portray myself as being unlikeable and idiotic; to actually play a character that is likeable and engages the audience is far more difficult. It's a more subtle kind of challenge.
The difference between a nation and a nationality is clear, but it is not always observed. Likeness between members is the essence of nationality, but the members of a nation may be very different. A nation may be composed of many nationalities, as some of the most successful nations are.
When I paint a person, his enemies always find the portrait a good likeness.