I've always understood the two to be intertwined: sexuality and spirituality. That never changed.
I've always been fascinated by dreams - mine are so vivid. I went through a period in my 20s when I wrote down my dreams every morning. Then life intervened, and I stopped doing it.
Mexico will never accept U.S. military intervention. Mexicans always remember 1848.
I've always thought if I could pick my interviewer, it'd be Charlie Rose, who I think is the best.
The worst frustration for a singer is choosing a career in making music and then not being able to make music because you're always giving interviews.
It so fascinates me how we always laugh when somebody falls on a banana peel, how comedy and injury are often so interwoven. I've always been a sucker for that.
Before I got into acting, I was always interested in psychology, which I think is very common with a lot of actors because in a weird way, psychology and acting kind of seem interwoven.
Letterman is very intimidating because he's so funny, so you have to be really prepared. Also, he's a little squeamish about certain things, so you have to always be on guard to please him.
As many times as I've seen 'The Merchant of Venice,' I always take Shylock's side. For all the hatred that guy is shown, he has a reason to hate in return. He's treated cruelly. And it's tragic that he learns to be intolerant because of what others do to him.
Of course the most difficult thing on the violin is always intonation. The second one is rhythm. If you play in tune, in time with a good sound that's already high level. Those three are the main things.
The roar of the crowd has always been the sweetest music. It's intoxicating.
There is always a need for intoxication: China has opium, Islam has hashish, the West has woman.
I always stayed in tune with my own ambitions and attitudes and I'm still my intractable old self, for better or worse.
I've always been intrigued by the way history works, the way we decide what is mentioned.
I have always been intrigued by these lives I have never experienced.
I have always been very intrigued by the outside of buildings. I can just walk down the street and be content with watching facades. I don't have to go inside.
I've always played around in my own mind with what a Wilburys tour could be. Would each person do a solo set and then do Wilburys at the end, or would we all go on right from beginning to end and make everything Wilburys? It's an intriguing thought.
I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.
It's always been intriguing to me, the loveability of mortality.
What's always intriguing to me is transforming my subjects into a character from another era.
