Quotes by "Robert Harris"

To say she was my girlfriend was absurd: no one the wrong side of thirty has a girlfriend… I suppose I ought to have realize it’s ominous that forty thousand years of human language had failed to produce a word for our relationship.

Of all human activities, writing is the one for which it is easiest to find excuses not to begin – the desk’s too big, the desk’s too small, there’s too much noise, there’s too much quiet, it’s too hot, too cold, too early, too late. I had learned over the years to ignore them all, and simply to start.

A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.

People will perish, but books are immortal. (Pompeii)

I think a lot of us feel, when we look at the Dow Jones plunging, alienated - you do feel as if we're in the grip of some alien force that slipped human control.

It's easy enough to get into power. You can make promises and try to be all things to all people. But the moment you have to make decisions, you're going to annoy at least half of them. Whatever you do, in the end you're almost certain to be brought down by your own character traits.

The financial markets tend to be just a backdrop for a novel, for a heist or something that isn't necessarily integral to it. On the whole, I don't think the financial world has been well served by novels.

In a way I'm almost more rueful about the notion of having a non-ideological Labour party than I am about the personality of Tony Blair.

I used to love politics. I can't say I do any more. All the fun has gone out of it. Each side is engaged in this trench warfare of managerialism. They're all too scared to say anything that might make them appear something other than completely bland.

I like to take people you wouldn't really think people would write novels about: an aqueduct engineer, a code-breaker, a hedge-fund manager. It's in those sorts of lives that I find more fascination than in a CIA operative or a Marine or something like that.

I can't get very excited about the House of Commons these days because I don't feel the power is there. What is really bizarre is that you sense it is not in Washington either. It is now very hard even to locate the levers of power, let alone to pull them and change things.

I think that whenever a nation feels itself to be at is zenith, it starts to feel a creeping sense of anxiety.

The financial world is at the cutting edge of high technology.

One gains a double benefit in writing about the past, conjuring up how things might have been, and at the same time acquiring a different perspective on the present.

Cut your manuscript ruthlessly but never throw anything away: it's amazing how often a discarded scene or description, which wouldn't fit in one place, will work perfectly later.

I see myself as the literary equivalent of a skilled lathe-operator, or a basket-weaver; a potter, maybe: I make mildly diverting objects that people want to buy.

One cannot see any world leader who has got a grip on the financial markets these days. They're too big, too fast. I think that's quite scary.

We live in an age of great jitteriness in the financial markets. And there's no doubt at all, I think, that the volume of computer-traded stocks has helped contribute to that.

Social mores change all the time. In the mid-1970s, it would've been astonishing, say, to see two men holding hands in the streets. And the attitude to having a fling with a girl, or whatever, was quite different then.

My literary career was a fluke. Utterly unexpected.