Injustice is either very blatant - you walk down the street and someone calls you a name; you don't get a job because of your gender or your skin color or your sexual preference - but injustice is also very subliminal.
Vanessa Williams in person is like... the camera cannot capture how gorgeous this woman is! She is just so breathtaking.
I wouldn't even call myself a former child star. I was a child actor; there's a difference.
I don't really think about the critics or the commercial success.
My mom is African-American, Native-American, Irish, and Creole, and my father is of Jewish, Russian, and Polish descent. It's made me who I am. Because of my diverse background, I think I can relate to many different people, different stories, and different communities.
You go through those awkward, dorky, geeky stages, and growing up in the industry amplifies all that. Fortunately, I have a mother who encouraged me to build my confidence from within and embrace my imperfections.
People look at you, and they think they know you. They think they can place you in a certain category by what they think they know about you. But there's so much more to all of us than what we know and what we see at face value.
There's a lot of progress happening in TV. You have amazing shows like 'How to Get Away With Murder.' You have people like Shonda Rhimes, Lee Daniels with 'Empire,' and Jason Katims with 'Friday Night Lights' and 'Parenthood.' You have people behind the scenes writing complex women.
I started shooting 'The Defenders' two days after I wrapped' Friday Night Lights.' I was doing research for 'The Defenders' throughout - interviewing lawyers and sitting in courtrooms just to watch - but there's something fun about throwing yourself in the water and learning by doing.
With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.
We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.
Oftentimes, a history book in school will talk about the Underground Railroad as if it's one sentence. But thousands of people decided to run, and they single-handedly changed the trajectory of our nation. By running to the North, they put a face to slavery, which recruited a lot of abolitionists.
I've always been proud that I come from people who were activists, who have this indomitable spirit. I am proud to have inherited the spirit of resistance and revolution.
The lullaby my husband puts our son to sleep with is so random. It's 'Don't Stop 'Til You Get Enough' by Michael Jackson.
I wouldn't say I'm a Method actor, but there are times where a role will require you to live in their world.
I'm such a huge fan of Gap! My mom used to dress me in Gap overalls that I would wear all the time, and now the idea of bringing my son into that tradition is so ironic and full-circle for me.
I think, as human beings, we try to hide our flaws and try to present this perfect person, this person we wish we were, to our spouse when that causes so many troubles.
There's this notion, kind of like unspoken, that you can't live your dreams and be a mom. You can't have a career and be a mom. There's still that preconceived notion, and I reject that.
We used to play touch football, where you put the little rag in your pocket. I was good because I was fast. I wasn't the greatest at catching. Sometimes the ball would come so hard and fast that it'd knock the wind out of me.
Before being a mom, I remember going on a Twitter rant during the whole George Zimmerman trial in Florida about my younger brothers and how one day I'll be the mom of a black son.
