Quotes by "Joey Jordison"

I'm just as much into Emperor as I am Alice Cooper.

I actually played guitar before I played drums. And I always play guitar on the Slipknot albums as well, as well as being responsible for a lot of the songwriting.

The heart bleeds music no matter what, and it bleeds different types of music.

The power of music, and the power of your determination in life, especially when you're playing extreme metal like this... it just conquers. It conquers everything.

There is nothing whatsoever friendly about Slipknot. Corey may have a singing voice, but it's always been done with so much passion that it's always been brutal.

Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.

How I found out is, I landed in Des Moines from a plane ride back from the Rob Zombie tour. I was, like, 'Okay, cool, I'm home. I can finally get some rest.' Once I landed, I turned my phone on, and my manager rang, and I'm, like, 'Oh, what?' He said, 'Paul Gray just died.'

My advice always is to start very simple and master your timing and master the most simple beats that you can, and you just keep elevating from that. Trying to go right into playing fast is not necessarily the best way to go about it, because if you don't have your foundation locked in, it's hard to progress.

I got really, really sick with a horrible disease called transverse myelitis; I lost my legs. I couldn't play anymore. It was a form of multiple sclerosis, which I wouldn't wish on my worst enemy.

The riffs, lyrics, and drums of 'Open Your Omen' will tell you a lot.

People lump us into the nu-metal category, and there might be a hint of that stuff, but if you really listen to a nu-metal band and then listen to Slipknot, it's so apples and oranges that it's retarded.

What made me want to play drums in the first place was Led Zeppelin and The Who. My parents had their records, and I grew up listening to them with the stereo cranked.

'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.

I don't use a Beatmap; I don't use any click track. Any time I count off, it's just in my heart. Sometimes I'll go off the feel of a crowd, like if they way they're bouncing is a little quicker than the song, I might kick up the tempo a little bit. I see where the crowd is at. It's nothing drastic, but all the tempos are from my internal clock.

First and foremost, I make music to satisfy my creative urges, but at the same time, I know my fans are waiting, so they're the ones that push me to keep going.