I got really, really sick with a horrible disease called transverse myelitis; I lost my legs. I couldn't play anymore. It was a form of multiple sclerosis, which I wouldn't wish on my worst enemy.
First and foremost, I make music to satisfy my creative urges, but at the same time, I know my fans are waiting, so they're the ones that push me to keep going.
I don't use a Beatmap; I don't use any click track. Any time I count off, it's just in my heart. Sometimes I'll go off the feel of a crowd, like if they way they're bouncing is a little quicker than the song, I might kick up the tempo a little bit. I see where the crowd is at. It's nothing drastic, but all the tempos are from my internal clock.
'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.
What made me want to play drums in the first place was Led Zeppelin and The Who. My parents had their records, and I grew up listening to them with the stereo cranked.
People lump us into the nu-metal category, and there might be a hint of that stuff, but if you really listen to a nu-metal band and then listen to Slipknot, it's so apples and oranges that it's retarded.
