I don't want to make an 'Animal House.' I'm not interested in making 'Ghost Busters.'
I make the money, and I don't have to take the abuse some of the stars do, opening up their personal life. I can go into a restaurant, sit down, and have a nice meal without being harassed. Arnold Schwarzenegger can't do that.
We couldn't predict what would happen with 'Roots.' You knew there were powerful moments that were going to affect people. We were making the film while the book was being completed. We were fortunate because the hardcover book was out and on the best-seller list. The heat was still on.
I've asked every grammar schoolteacher in the nation to have their students write on the meaning of the Statue of Liberty. Wouldn't it be wonderful if the winning kid got up to the microphone and, in front of the world, had to dig into a pocket to pull out a crumpled sheet of paper containing the words that would move us all?
I don't fall in love with inanimate objects. I don't bond with them. I only fall in love with people.
Somebody said something funny to me the other day. They said, 'Wolper, until two weeks ago, your tombstone was going to say, 'David Wolper, the man who produced 'Roots.' I think the tombstone now has a new inscription. It's going to be 'David Wolper, the man who produced the opening ceremony of the 1984 Olympics.'
Relax! Life is beautiful!
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.
Continuity is a wonderful thing, and it is a very rare thing in show business.
