When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
My first place in Nashville was like 'Animal House.' The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
I was at Home Depot with my dad looking for paint when I got the call to open for Taylor Swift. That was wild, because I was crying in Home Depot, and people were looking at me funny.
You know, I only claim to play three instruments. My dad is a banker, but a drummer at heart; and my mom used to teach piano lessons when she was younger. So I can play some piano, play a little drums, and fake the bass - but banjo, mandolin, and guitar are my thing.
The single most exciting thing that happened for me was getting to spend some time in the studio with both Marty Stuart and Vince Gill.
I'm in this really cool place in my career, where the stage I'm on that night, whether it's the Paisley tour, the CMT tour, or a bar with 10 people in it, it is the most important show I've ever played in my life. I go to the ends of my imagination to do something that's unforgettable every night.
I build an entire fort out of pillows. I need at least four pillows. I need on each side, I need one normal usage pillow for the back of my head, and I need another pillow just in case.
