I've been devoted to Alison Krauss for many, many years.
When I was working on Eye of the Beholder, I played a character who is so aloof that my whole lifestyle became very aloof. If someone knocked on my door, there was a part of me that went into a rage, because I wanted to be isolated and alone.
Well, the fact is that one imagination is critically important, and if you have had your imagination stimulated by what is basically a variety of subjects, you are much more amenable to accepting, to understanding and interacting with the realities of the world.
It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.
It's up to us to take pop culture back and to express quality and dignity for both boys and girls.
I have a lot of variety within me, and the dream role, I think, is actually a compilation of parts that express different aspects of my persona and personal interests.
And it blew my mind when I started to get wind of the fact that they actually liked me being around. That was humbling, because Kentucky basketball is a big deal, and I am not the biggest fan - I am just the most notorious one.
I think that being perceptive and having interests is nothing but an asset.
I get lonely when I'm a Playstation widow.
Ruby in Paradise and the intensity and quality that I was able to experience on Smoke were equally as important to me as working on this movie every day for three-and-a-half months.
I've always been crazy for the American songbook.
Some Kentucky fans are a little more subdued.
You don't stay married for 35 years by accident. I think that that's willful and intentional and something that both people really want.
