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Eating right is a natural defense against the sun. Sweet potatoes, dark chocolate, pomegranates, leafy greens, almonds, and teas all help against the sun. Otherwise, 100 SPF will do.

We fatties have a bond, dude. It's like a secret society. We got all kinds of shit you don't know about. Handshakes, special fat people dances-we got these secret fugging lairs in the center of the earth and we go down there in the middle of the night when all the skinny kids are sleeping and eat cake and friend chicken and shit. Why d'you think Hollis is still sleeping, kafir? Because we were up all night in the secret lair injecting butter frosting into our veins. ...A fatty trusts another fatty.

In Australia, I almost became a counsellor. At the end of each performance there would be a queue of sobbing people backstage. They all wanted to explain why they left South Africa.

If you're never able to tolerate a little bit of pain and discomfort, you'll never get better.

The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.

It takes too much energy to be against something unless it's really important.

We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.

Rogues, would you live forever?

I am very optimistic, and I wish that God almighty grants me success to get a qualifying time. Only then can I go to the Olympics. If this happens I will be the first Palestinian athlete to gain a qualifying time. This will be a big achievement.

John Brooke is acting dreadfully, and Meg likes it!

I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.

Candidly, I've noticed that throughout my career, whether in offices that are majority male or majority female, the men are quick to advocate for themselves for a higher starting salary or more pay bumps over time.

Anytime Tom Watson is on your team, you've won. His passion, professionalism, attention to detail, and leadership are unparalleled.

I'm not a party animal; I took my job as Miss USA very seriously... Sometimes, of course, I want to let it all go. Even though I'm a beauty queen, you're also an unofficial ambassador, and there's a lot of pressure.

If you have a bold brow, it's best to forgo a super-smoky eye and make the lips dramatic instead.

It's addicting, beating the heck out of people and eating hot dogs and making people smile. I do feel like garbage afterwards, but so what? Most people feel like garbage after a long day of work.

Fear's useless. Either something bad happens or it doesn't: If it doesn't, you've wasted time being afraid, and if it does, you've wasted time that you could have spent sharpening your weapons.

The notion that evil is non-rational is a more significant claim for Eagleton than at first appears, because he is (in this book [On Evil] as in others of his recent 'late period' prolific burst) anxious to rewrite theology: God (whom he elsewhere tells us is nonexistent, but this is no barrier to his being lots of other things for Eagleton too, among them Important) is not to be regarded as rational: with reference to the Book of Job Eagleton says, 'To ask after God's reasons for allowing evil, so [some theologians] claim, is to imagine him as some kind of rational or moral being, which is the last thing he is.' This is priceless: with one bound God is free of responsibility for 'natural evil'—childhood cancers, tsunamis that kill tens of thousands—and for moral evil also even though 'he' is CEO of the company that purposely manufactured its perpetrators; and 'he' is incidentally exculpated from blame for the hideous treatment meted out to Job.

I was a brownie for a day. My mom made me stop. She didn't want me to conform.

Film schools didn't exist when I was growing up. I learned by working with clever people. Good writers and cinematographers.