My dad was listening to me noodle around on the guitar in the house and sing, and he was like, 'Man, you're funny, and you sound good when you do that. You should do that at a bar.' I had stage fright, so I was like, 'No, Dad. Leave me alone.'
I play a little bit of everything. I beat on the walls. I whistle. I scream. I go outside and scream because it sounds cool when it's recorded. I play drums on a chair. I snap, clap... just anything to build the track and make it feel like I want it to.
What's great about being an opener is that even when you lose, you win. There's no pressure. And no expectations. If you sell merch, you're killing it. But when you headline, you have to sell those tickets.
I've always felt very insecure being around in-laws, even my siblings - like the guy who made a bad decision, or the guy who would never just fess up that I'm not good enough to make it, or I don't have what it takes.
'Check Yes Or No' is a song that I reference in ''90s Country.' George Strait had a very crafty lyric: it tells a story then comes back around. Never gets old.
For years, I wrote songs to try to get cuts or try to have hits or try to appease a label or to be famous. I was learning a lot of valuable tools about structure and how to articulate. I was getting really good at that.
