I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
If you're looking for reps, write letters that are short and professional. Make sure you have a really great reel of yourself. If there are friends you know who are making short films, do them - it's all material for your reel.
When you start performing, you realize that you have to separate yourself from the pack. So I would never wear bell-bottoms, which everybody else was wearing. I had short hair - and to see a 21-year-old guy walk onstage without longish hair was, in itself, weird. Every entertainer needs a shtick.
Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant.
Make it absolutely clear to yourself what you want from other people. That is really half the secret for drawing your desire to you in the shortest possible time and with the least amount of effort.
If you're going to be honest with yourself, you have to admit that you go into show business wanting people to talk about you and wanting everyone to know who you are. But that also means there are going to be a whole bunch of people who don't like you. No matter who you are.
Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.
As you stop trying to forcibly manage the thoughts, beliefs and actions that arise from your mind and ask instead to be guided by a source greater than yourself, you will find a world of support showing up in surprising ways.
Showy displays of love don't come naturally to everyone. They don't come naturally to me. They also come with a risk: a risk of rejection, being made to feel silly, or making yourself into a spectacle.
When people you don't know say nice things about you, if you allow yourself, even subconsciously, to attach a shred of meaning to it, when the opposite happens, when people you don't know say bad things about you, you can't attach that same meaning.
It is time to return to core values, time to get back to basics, to self-discipline and respect for the law, to consideration for the others, to accepting responsibility for yourself and your family - and not shuffling it off on other people and the state.
It can be painful leaving parts of yourself behind. Change and shuffling off your previous skin is traumatic, but it can be done.
When I'm out there, you just have to react. That's why you work on those throws. When you're in the moment, you can't think to yourself, 'How do I get this to go 47 yards and be 2 yards inside the sideline?'
There is no way to physically always be there for your children and always be at the office and always be present for your significant other and then take care of yourself. The laws of physics necessitate that somebody or some thing is going to get the short end of the stick.
Fashion is a way to transform yourself. By choosing your own silhouette and shape, you can constantly change who you are.
I like a very sexy silhouette, and I like to feel like when you put something on, you zip yourself into it, and you're secure in there.
Ultimately, theatre is about creating a sense of wonder, and I think wonder is achieved not by a kind of wide-eyed silliness but by being available to that which is most unknown, inside the material and inside yourself.
I think laughter is the best medicine. If you can't laugh at yourself, then you can't laugh at life and the silliness of it all.
When I was younger, I behaved a bit strangely sometimes - lost my temper, did silly things - but little by little, I've gotten better. As a chef, I think you need to do a lot of work on yourself and your temperament.
You're always going to sound like yourself, but you can make really strong attempts to keep some similarities, but move away from what you did before for popularity's sake.
