Without troublesome work, no one can have any concrete, full idea of what pure mathematical research is like or of the profusion of insights that can be obtained from it.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
I didn't like the way it looked in white trousers, and I couldn't find anything to work underneath them.
I'm in this absolutely gorgeous manor house with acres of quite beautiful countryside. I've got trout in the river, an organic vegetable garden, I've got my work 40 yards from my home. I don't mind being criticised, but where are they criticising from? Which hut are they criticising me from, exactly?
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
You have to keep your eyes wide open and your head high and realize that you are going to be OK. I do this with work and with being a mom - I'm a true believer that it's OK to fail, and that there is power in getting back up on the horse.
With any project I work on - not just 'True Detective' - I don't feel the need just to play a strong woman. I don't want the audience to say, 'Oh, she was so strong.' I want to play characters that are flawed and interesting.
I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
9/11 allowed us to witness the ordinary face of goodness in the love that those about to die brought with them to work that day. It is fitting that we refer to a large segment of the church year as Ordinary Time because it describes the look of the true faith that, as we read of the Kingdom, is spread about us.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
Unraveling external selves and coming home to our real identity is the true meaning of soul work.
By discovering how our minds work, we can improve our learning power and unlock our true potential.
I feel true success comes from being able to work and the love for it.
There is a huge difference between failing and failure. Failing is trying something that you learn doesn't work. Failure is throwing in the towel and giving up. True success comes from failing repeatedly and as quickly as possible, before your cash or your willpower runs out.
We all have to stand by our life's work as the true test of what we have done for the world.
People and places are the source of my work, both in prose and verse-and this remark is not the truism it seems, for I do not distinguish as sharply between a place and a person as most people seem to do.
Cut your arms and legs off, and you're left with a trunk, which you need to be as strong as possible. It's easier to push over someone who is tall and skinny than someone short and stocky. That's why we work everything from the calves to the neck.
Some people assume I'm a spoilt trust fund kid who's never had to work for anything, while others think the best of me because of the good experience they had with my grandfather. It's difficult to digest the fact that they may never see me for who I am.
I'm not difficult to work with, trust me.
I'm tryin' to get some acting credibility, get some other work.
