We are all in this together. We will all make it or none of us will make it. If everyone cleans up their act except one big ole country, it isn't going to work.
It was a challenge, to work with Oliver Stone.
I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.
I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.
I was taught to value hard work. At the end of day, I'm just Olivia.
There are lots of people I'd like to work with. It would be fun to be in a movie with Mary-Kate Olsen and Ashley Olsen.
To be an Olympian - not many people can say that. But first of all, I've got to make the team, and I know a lot of hard work is going to go into it, so hopefully it pays off.
Parents, it seems, have an almost Olympian persistence when it comes to suggesting more secure and lucrative lines of work for their children who have the notion that writing is an actual profession. I say this from experience.
I'm not a cheater, but if I win Olympic gold and people are looking at me and saying I am a cheat because I've won, it's hugely disrespectful given the hard work I've put in.
There was a time in my life I wanted that Olympic medal, and all I did was train, train, train and work harder than ever.
Every year, I think of Worlds as the big meet, but now, it's the Olympics. I'm blessed to even have the opportunity to think about it and work for it.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
My friend Markus Zusak wrote a story from the point of view of death, 'The Book Thief.' I thought that's a great idea, where your omniscient narrator is death. I'm glad he had that idea because I wouldn't have been able to work so well with it.
I have a website because it's an interesting tool, very - and quite unexpectedly - useful for my work. It's become an archive and a fairly complete on-line portfolio, as well as offering an opportunity to write a little.
If you go out once a week, they can blast on you that you're always out all the time, but I always put work first, and people sometimes don't see the side of going into the weight room, behind-the-scenes-type stuff with football.
I only ever get to work with Naito once a year. I'd love to wrestle him again. Yeah, he's good, for sure. The person I've never worked before in a New Japan ring - and I'd be happy to get the chance and show the difference of styles - is Zack Sabre, Jr., so that'd be another one. Yeah, he's one of my favorites.
So the first season about halfway through he just sort of put us together and then broke us up all within one episode. One of the ideas is to have us do that once a year - to have everything blow up in our faces and not work out.
I think, instead of the pessimism of the Remain campaign, we have an opportunity to think of the next generation. If we have faith in their talent, in their generosity, in their hard work, we can, if we leave the E.U., ensure the next generation makes this country once more truly great.
That business of relaxation, which is so terribly modern today, is all good and well, but my work interests me so much, and is so varied, that many times it seems relaxing when I go from one aspect to another.
