Every single time you make a merger, somebody is losing his identity. And saying something different is just rubbish.
The strength in our third-quarter financial results is cause for excitement. I'm particularly pleased that we continue to demonstrate impressive growth at the same time we are engaged in important merger discussions.
For most of the Latinos in our nation, merger between Comcast and Time Warner Cable would mean one company controlling their window to the world of culture and entertainment.
The chaos of two cultures merging is the best time to forge a new identity to unify people, because everyone is looking for answers and everybody's looking for leadership. That's when there's an opportunity to say, 'OK, this is what we stand for.' People aren't set in their ways because everything is up for grabs.
We've got horse property and there's other stuff to do. Like, four wheel driving, we barbeque, drink beers, sit around and play guitars and have a merry 'ol time.
The Mesh is about creating and managing what's perishable. It provides businesses with the ability to reach an audience of one, at a precise time.
The Mesh difference is that with GPS-enabled mobile Web devices and social networks, physical goods are now easily located in space and time.
My first job was working at Benihana as kitchen help. In college, I was a telemarketer for a company at the same time I was a bike messenger for this greasy fast-food place.
I'm Irish, so I'm messing all the time. Which means, I'm having a laugh. I'm always making jokes.
I play in Metallica, and I have fun in Metallica. I tell you, I am the luckiest man on the planet because we have a good time and we're happy. When we put on our guitars, we're teenagers again, and that's where the fun comes in.
It's possible to take that as a personal metaphor and then multiply it to a people, a race, a sex, a time. If we can keep this thing going long enough, if we can survive and teach what we know, we'll make it.
I was famous in our college for calm and impassionate discussion; for one whole summer, I rose at five and went to bed at midnight, that I might have sufficient time for theology and metaphysics.
Every time a meteor comes close to the earth, we all think about the end of the world - but our internal soundtrack doesn't turn off. We're also thinking about pizza or passing a slow tractor or making a turn, and for a magical instant, our lives seem to be in conversation with the stars.
Please don't ask me to do that which I've just said I'm not going to do, because you're burning up time. The meter is running through the sand on you, and I am now filibustering.
You know, I've never been much of a method actor. I feel like, with every project I go in extremely prepared and I like to have a good time.
I'm not going to say paint is an easy spruce-up. It takes time, it needs touch-ups, and you have to be very methodical. But it is worth it, and it isn't particularly expensive.
I don't have any particular methodology, to tell you the truth. 'Silver Blue' took exactly the amount of time to write that it takes to sing it, and 'Prisoner in Disguise' took about a year and a half. So you just never know.
I was first exposed to the idea of macro-molecular sequences while I was a postdoctoral fellow with Jack Strominger at Harvard. During that time, I briefly visited Fred Sanger's laboratory in Cambridge, England, to learn the methodology of RNA fingerprinting and sequencing.
I wanted to retire after I played for the Mets. My family said wait one year, that there was no need to rush it. I gave it a year and now it's time to say goodbye.
I would never put on a Mets hat. Only if I was playing a Met as part of the job. Which, actually, I did a long time ago.
