Live performance really terrifies me. I haven't done it, really, in years. I think that's why I retired from my brief career in stand-up.
I think opera has gained a kind of glamorous appeal. It's a live performance that aligns all of the arts, and when it is represented in the media, in film in particular, it is presented as something that is really a special event, whether it's a great date or something that's just hugely romantic.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
I think people need to have fun with whatever they're doing - makeup, their clothes, music, live shows - anything you don't need to take too seriously, don't take too seriously.
The behind-the-scenes kind of process at TV, especially live television - that was super scary, but I think it's made me more comfortable now. If I ever have to go on live TV, I at least remember what it was like when I was 16.
Live theater is just an incredibly powerful medium, and I think anyone who goes, whether they know about it or not, if they see something that sort of fits with them, it's kind of hard to deny that they had a good time.
I like roles that are on the extreme ends of the spectrum, and there's special appeal in exploring these slightly forgotten plays that people might think of as subjects for academic term papers instead of live theater.
So I've done my fair share of theater. I have also been very fortunate in that I've been able to come to New York two or three times a year just to see as many shows as possible. I think the live theater culture here is incredible.
Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
It's fun to deliver material on live TV because it's more off-the-cuff, but I like writing better. You really can measure the joke, think an extra second and nail the right reference.
Without being the most confident person in the world, I think I am the right person for Liverpool.
I think at a club like Liverpool you always feel a bit of pressure. You should. But it doesn't bother me.
Whether it's through introduction of the right gut bacteria or direct modification of the genes of cows and pigs, I think we're going to have to introduce something like this into our livestock - a way to consume the methane rather than releasing it.
I think I've been lucky enough not to have to do movie after movie after movie for financial reasons, so I've been able to live life and also make movies. I didn't have to grind them out. I could go long periods where I was living life rather than tripping over cables.
I think people who don't have conflict in their lives are just trying to please people and not really living life to the fullest.
Personally, I think there's a lot to recommend being friends with your ex, and I'm glad to admit that I'm living proof of its possibility.
The one thing you can ask, I think, is that actors get paid a living wage. I would like it if all the repertory theatres that currently exist could do that. It would make a huge difference.
I think one of the funniest things about '30 Rock' is that Liz Lemon is sort of like Buster Keaton - she's always the fool, the joke is always on her.
What makes Broken Lizard, I think, is our timing.
You know, people think I named myself Meat Loaf, even though I didn't. And they think anyone who would name himself Meat Loaf couldn't have an IQ higher than four.