Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I think there's something very lovely and hilarious about exploring the particular neuroses of the female mind. It's just not the same thing with men. I mean, there are exceptions, but for the most part, women beat themselves up in their heads more. They overanalyze stuff far more than men do.
I think that any female who gets asked if she's a feminist... it's silly... it's so interesting when people ask females if they're a feminist. Of course every female wants to be equal!
I think we won't be able to understand the operations of trans-phobia, homophobia, if we don't understand how certain kinds of links are forged between gender and sexuality in the minds of those who want masculinity to be absolutely separate from femininity and heterosexuality to be absolutely separate from homosexuality.
Sometimes when we think about femininity, we think also fragile. But I think you can be feminine and very strong. I think make-up goes with that femininity. I think it's a natural gesture for women and one they do more for themselves than for others.
There's many women now who think, 'Surely we don't need feminism anymore, we're all liberated and society's accepting us as we are'. Which is just hogwash. It's not true at all.
I think feminism is about the spirit.
If I feel something, it's how I feel. I never say, 'I feel this way, so you should feel that way.' Not that there's anything wrong with it, but I just am who I am. But, yeah. I think you would call me a feminist.
I think feminists are unaware of the tremendous extent of the role of women in history.
I think it's not a femme fatale when someone is not doing it to manipulate men or be like a black widow. She loves him. She does it out of love. She wants him so badly to stay with her.
I stay away from heavy-handed stuff, the good guy and the bad guy. It just doesn't interest me; all it does is create more fences between people, I think.
I know there's a lot of discussion about building a 2000-mile wall. I think we need to complete the Secure Fencing Act, but we need greater technology and aviation aspects down on the Southwest border so we can see the threat from the sky. Until you can see it, you don't know where it's coming from and how to correctly stop it.
I think we need the make sure our border is secure, not just from a standpoint of strategic fencing or border slats, whatever you want to call it, but we need to make sure that once and for all, we secure our border to make sure our communities are safe.
What I think is cool about Fender, and what originally drew me to them, was the Fender electric guitar headstock, which I've never seen on another ukulele. I feel like a rock star when I'm tuning it.
If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
I'm so grateful to Ferguson. I think he's the best there's ever been, especially his squad management skills.
I think that people who get to a certain position, and then try to ferociously defend it or build on it, it's kind of a dead-end street. You see people becoming miserable that way.
I think women like Ferraris. A Ferrari is everybody's car.
There's so much light in Broughty Ferry. I think the humour in Glasgow is darker, because it's much more gloomy, there's a perpetual misery there.
I think that any time of great pain is a time of transformation, a fertile time to plant new seeds.
