Quotes by "Brian Cox"

We are the cosmos made conscious and life is the means by which the universe understands itself.

The problem with today’s world is that everyone believes they have the right to express their opinion AND have others listen to it. The correct statement of individual rights is that everyone has the right to an opinion, but crucially, that opinion can be roundly ignored and even made fun of, particularly if it is demonstrably nonsense!

Life, just like the stars, the planets and the galaxies, is just a temporary structure on the long road from order to disorder. But that doesn't make us insignificant, because we are the Cosmos made conscious. Life is the means by which the universe understands itself. And for me, our true significance lies in our ability to understand and explore this beautiful universe.

I'm comfortable with the unknown -- that's the point of science. There are places out there, billions of places out there, that we know nothing about. And the fact that we know nothing about them excites me, and I want to go out and find out about them. And that's what science is. So I think if you’re not comfortable with the unknown, then it’s difficult to be a scientist… I don’t need an answer. I don’t need answers to everything. I want to have answers to find.

Einstein's universe allows us to journey into the far future, while keeping the doors to the past firmly locked behind us

Science is the enemy of the certain

I believe powerfully that we who have the power should strive to extend the gift of education to everyone. Education is the most important investment a developed society can make, and the most effective way of nurturing a developing one.

Even the Australians don't know how beautiful their own country is. Particularly where we were shooting 'The Straits.' Most of my stuff was done on an aboriginal settlement on the south shore, opposite Cairns, which I believe was the site where the last person was eaten in Australia.

Feudal societies don't create great cinema; we have great theatre. The egalitarian societies create great cinema. The Americans, the French. Because equality is sort of what the cinema deals with. It deals with stories which don't fall into 'Everybody in their place and who's who,' and all that. But the theatre's full of that.

Ah, there's a director. Astonishing, Spike Lee. A feisty guy, but a guy who's, I think, incredibly misunderstood. I think people review his politics or his color as opposed to his filmmaking sometimes. Because he's a wonderful, wonderful filmmaker and a lover of the art.

The hardest thing to do in movies is be a day-part player. You have to go in, make your mark, and get out. There's a lot of leading actors who are not good for a lot of a movie, and then suddenly they have good moments, and they're like stepping-stones across a particularly feisty stream. They build careers out of that.

I used to do a lot of fencing in the theater and a lot of horse riding in the early days, so I'm used to it in a way. If you're classically trained like I am, it's a little bit like mother's milk to me. I enjoy it.

There's so much light in Broughty Ferry. I think the humour in Glasgow is darker, because it's much more gloomy, there's a perpetual misery there.

The problem is that the U.K. in essence is a feudal society. It's everyone in their place.

The trouble with New York today is that it's lost its balance. I love the new, greener New York, but it takes all kinds of worlds to make a World.

Actors in general have become very spoiled in the roles they choose these days. When I first started in this profession - about a hundred years ago in the last century - it was all about taking risks, it was about doing the job and honing the craft.

I'm 100% Celt. In fact, I'm directly related to the progenitor of the high kings of Ireland, Niall of the Nine Hostages.

In a sense I feel very much a part of the cinema now in a way where when I come back to the theater now I feel like a visitor. The cinema is really what I enjoy. I want to do more independent movies.

The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.

I did a film in which Andy Garcia and Michael Keaton both played the leads, 'Desperate Measures,' and interestingly enough it was their biggest payday. The film didn't do well, and it kind of marked their careers. They've done less since. It all changed.