What I have been talking about for many years is opportunity conservatism, that every policy should focus like a laser on easing the means of ascent up the economic ladder.
Talking to my wife, we stare at each other, saying, 'How is this happening? Why is this happening? Why now?' It's nothing I ever aspired to.
Everybody assumes I know everything, so they send me these notes sometimes, and I don't know what they're talking about.
I am astonished and surprised that someone could consider making a film about me without talking to me about it.
You have to be positive, and I'm not just talking about athletics, this also applies to life.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
I love to meet my fans, and after every show I usually hang out for a few hours, talking to my fans, signing autographs, and selling T-shirts.
The key with autonomous is the whole ecosystem. One of the keys to having truly fully autonomous is vehicles talking to each other.
I spent my whole life as a writer talking to just the average guy in Los Angeles and Latin America, talking to working people.
I'm not much for talking. You know what I do. I put guys in body bags when I'm right.
We are not only talking about waves of refugees coming to Greece, to Italy, and elsewhere. Destabilizing the Balkans means Lebanonization, and that means destabilizing all of Europe.
I work a lot with dynamics of how loud I'm talking, like speaking into balloons and then feeling the texture on my fingertips, and then I get used to the feeling on my throat.
I've never been a bandwagon Clevelander. I've been talking about Cleveland and holding up Cleveland since before we were champions.
The way to get started is to quit talking and begin doing.
Every teenage artist out there is mostly talking about boys, and I think there's so much more to being a teenager than just boys.
If the people in the audience are talking, you're being ignored. If the people are gazing at you, you've got something they want to hear.
I prefer to avoid the phrase 'strong women' when talking about female characters and the lack thereof or the need therefore, because it's not about being strong, it's also about being vulnerable, funny etc.
It seems to me that many of the belligerent Jewish movements that were built upon hatred of Arabs - and I'm not only talking about Lieberman, but within the Likud as well - grew out of the patronizing socialist attitude that said, 'They'll be there, and we'll be here.'
I can't discuss the possibility of the U.S. involvement in Syria's civil war without also talking about Benghazi.