The dreaded phrase in design circles is 'show and tell.'
A live show is something that can never ever be duplicated on a computer.
When Elvis made his mass-media debut on 'The Ed Sullivan Show' - his notorious gyrations filmed only from the waist up - I fell off the family chaise longue with delight.
When I didn't do 'Runaround Sue' on the 'Ed Sullivan Show,' for example, I didn't listen to my inner voice. I should have.
We finally got our big break when Ed Sullivan put us on his show.
The Dave Clark Five had more appearances on 'The Ed Sullivan Show' than The Beatles.
I couldn't do 'The Ed Sullivan Show.' Ed said I was a flash in the pan, and he was right.
I'd done an Edinburgh show before, in 1981, called 'The Importance of Being Varnished' - I was in the pun trade at the time.
Once we played for the Princess of Monaco in Paris. We were the biggest ducks ever, wearing rented tuxedos. We trashed the party, took a bunch of girls and champagne in limos underneath the Eiffel Tower, and set up an acoustic show. It was like a Hilary Duff movie.
Show me an elitist, and I'll show you a loser.
The decisions that Ellen made on her show were between her and her producers. I supported her decisions. I was there to hug her when she got home.
I've seen some great write ups and I emailed her the other night because I saw her on an awards show recently.
Lena Waithe won an Emmy for writing while starring on the Netflix show 'Master of None,' but it might be more accurate to call her a Master of Everything.
For a show, I can bear a little longer than 45 minutes, not including encores.
They just wanted to show the entertainment world that we're vulnerable.
I want to show people that environmentalism can be fun!
Playing a three-hour Rush show is like running a marathon while solving equations.
Writers who used to show off their erudition no longer sing in the bare ruined choir of the media.
Nobody escapes during Lisa Lampanelli's show.
A radio show recently did a beautiful eulogy of me.