Every movie, I complicate. I make the hard choices. I remember when I was pitching 'Pan's Labyrinth:' An anti-fascist fairy tale set in Civil War Spain, where the girl dies at the end. It's not easy.
I have to be composed; I have to be poised. I have to remember what my first piano teacher told me: 'You do not touch that piano until you are ready and until they are ready to listen to you.
The whole 'anniversary of punk' thing really compounded what I thought was wrong. I was so disillusioned. I remember thinking, 'I don't want anything to do with this.'
I'm not sure when I first heard about Beth Hart. I do remember seeing her on various TV shows. I think I'd seen her on 'Conan O'Brien' or whatever. And it seemed that whenever we'd tour Europe, our paths would cross.
Let us ever remember that our interest is in concord, not in conflict; and that our real eminence rests in the victories of peace, not those of war.
Those who do not remember the past are condemned to repeat it.
As a kid spending weekends in the Ozarks, I remember my granny's preacher shaking his fist, his jowls waving in the wind not unlike a bloodhound's, excoriating the congregation and condemning it to hell.
Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
I remember when I first came out as an artist, back in 2004 or 2005, the record label used to take me to all the radio stations and just have me sit in, like, their lunchroom or their conference room, and play for the whole staff. Just to introduce them to me so they would play my records.
When it was time for parent-teacher conferences, I remember that I was always embarrassed about what my parents would hear about me!
I always used to get in trouble for talking too much. When it was time for parent-teacher conferences, I remember that I was always embarrassed about what my parents would hear about me!
The kids know me from 'Babe,' but usually it is 'L.A. Confidential' that people remember, which was the second film I did. I have worked with some really good people and the films that I've done for the most part have been good.
I remember when I first encountered anthropocentrism. I was in primary school and, in preparation for our confirmation, the class was learning about the afterlife.
Remember common sense? Bring it back. Abolishing ICE, our main federal immigration enforcement agency, is a colossally stupid idea. Floating the possibility of impeaching Brett Kavanaugh, whose confirmation just jolted the GOP back out of its coma, is painfully dumb.
Often times I'm confronted with a quote that I don't remember saying. So, on one hand it's very flattering, it is just so surreal.
I remember being four or five, not understanding how to be funny, so just going around the house and my mum and dad's friends, confusing adults by saying weird things.
I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fire.
I remember having a feeling like, 'I can't believe this is happening!' Two years ago I was auditioning for The Disney Channel, and now Paul Rudd is saying, 'Hey man, congratulations on your Emmy nomination!'
I met Roger Ebert at an independent-film awards or something. And he said, 'When I saw you just now, I wanted to punch you in the face. And then I had to remember you're an actor. So, congratulations!' Those are my accolades.
Remember that our Spanish conquerors, for their own benefit, deliberately created an oppressed underclass whose collective psyche became rooted in passivity and underachievement.
