I'd have signed for Real in a heartbeat. They're a club with more glamour than Milan; more prospects, more appeal, more everything. They strike fear in their opponents, whoever they happen to be.
My album, 'No Shame,' will give my fans an extremely real and heartfelt experience of what I have been going through in my personal life.
The real theater of the sex war is the domestic hearth.
The Internal Revenue Service is the real undefeated heavyweight champion.
Well, I don't know if I can comment on Kant or Hegel because I'm no real philosopher in the sense of knowing what these people have said in any detail so let me not comment on that too much.
The real world is far more hellish for all us than any fictional representation of it.
Aren't most romance heros, or heros in fiction of any kind, generally superior to real men? Same goes for heroines and real women.
Heaven is a bowl of creamed herring and onions. Ditto whitefish salad. But the real object of my desire for all things gilled is gefilte fish.
There is no hierarchy of values any more. Real progress is due mainly to human genius, and that's rare, and usually stems from a real elite, from a hierarchy.
I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
I was in banking because it was high-paying, intense, a real meritocracy, and the afterwork part was fun, but I found everything to do with banking so boring.
The real democratic American idea is, not that every man shall be on a level with every other man, but that every man shall have liberty to be what God made him, without hindrance.
There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
Take a newspaper account of Waterloo or Trafalgar, with all the small advertisements: it seems much more real than reading about it in a history book.
My first manager chose the name Engelbert Humperdinck for me. My real name is Arnold George Dorsey. It didn't really quite hit the entertainment industry the way it should have. But when my manager chose the name Engelbert Humperdinck, I had a hit record immediately, which was called 'Release Me.'
Who would people rather see, a real hitter hitting home runs or a pitcher swinging a wet newspaper?
I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.
Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.
The wrestling is real, all the injuries are real, so much so that in no other sports, whether soccer or cricket or hockey, players get so many injuries as in WWE.
We've got some real greedy hogs who own no interest in the company they're running, whose sole interest is in whatever it takes to be able to get to the point to fly out on their golden parachute and milk the shareholder and take risks that they shouldn't take.
