War is not merely a political act but a real political instrument, a continuation of political intercourse, a carrying out of the same by other means.
In the theater there is often a tension, almost a contradiction, between the way real people would think and behave, and a kind of imposed dramaticness.
Real people are complex, contradictory, and have their own motivations - they can't just be mouthpieces for the writers' point of view.
It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
Until there are tangible metrics for quantifying the real value of a token's utility, the gap between value and valuation will continue to defy conventional wisdom and conventional valuation methods.
At 18, I got a publishing deal, so I was like, 'I can do this for real and not go to college.' When I was a teenager, my parents dragged me to a lot of songwriting conventions.
Globalisation began what should be called the Great Convergence, creating a globalising labour market in which wages in emerging market economies slowly converge with wages in rich economies, generating a steady drop in real wages across Europe.
When my father died, I had a real experience with Christ, a real conversion with Christ and I had it in a Oneness church.
Coming up with novel ideas and converting them into real products has always been as natural as breathing for me.
After all, the past is our only real guide to the future, and historical analogies are instruments for distilling and organizing the past and converting it to a map by which we can navigate.
The cookbooks and the writing in general have been a real bonus, but it's not something I've ever pursued... I've been lucky, I guess.
My interest in food really began with a month's cookery course in Frome, Somerset, after my A-levels. I left the course not an incredible cook, alas, but a real enthusiast. Food and cooking is at the core of entertaining, and my passion grew and grew.
My mother was a real tough cookie. She raised the three of us, and she worked at the same time.
And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.
We make up horrors to help us cope with the real ones.
You talk to the real cops and they say ninety percent of it is paperwork.
Being a cover artist is not like being a real artist. That's just copying what someone else did.
I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'
I think the only real knowledge I had before I went to Iowa was what I learned from 'Food Inc'. But once I got there and developed these extensive relationships with the farmers, I realized that we're basically made of corn.
The real and effectual discipline which is exercised over a workman is that of his customers. It is the fear of losing their employment which restrains his frauds and corrects his negligence.
